James B. Apple
The Abhisamayālaṃkāra (Ornament for clear realization) is an instructional treatise on the Prajñāpāramitā, or Perfect Wisdom, whose authorship is traditionally attributed to Maitreyanātha (c. 350
Buddhist reincarnations, stemming from the Tibetan term rJe btsun dam pa (“Holy Precious Master”) in the 17th century after fourteen previous rebirths in India and Tibet, appeared in Khalkha Mongolia. Their significance results from both religious and political activity. They became central to Khalkha Mongolian identity.
The First Khalkha Jebtsundampa (1635–1723)—in Tibetan Blo bzang bstan pa’i rgyal mtshan, in Mongolian Zanabazar and referred to as Ȯndür Gegen (“High Serenity”)—was the son of the Khalkha Tüśiyetü Khan Ġombodorji. As a child he was recognized as the reincarnation of Tāranātha Künga nyingpo (Kun dga’ snying po; 1575–1634), the great master of the Tibetan Jonangpa school. However, he was educated by the Gélukpa teachers, also in Tibet, and treated by this school as the reincarnation of yet another master, Jamyang chöjé (’Jam dbyangs chos rje; 1379–1449), an important Gélukpa teacher. His recognition was confirmed by the Fifth Dalai Lama and the Fourth Panchen Lama. Political plans of influential Tibetan clergy probably shaped this unusual situation. The position of the khan’s son, economic support given by his father, knowledge of Tibetan Buddhism, and his own charisma led Zanabazar to play a decisive role in disseminating Gélukpa Buddhist traditions in Khalkha Mongolia. He was also a gifted artist who cast in bronze superb religious sculptures. Due to political conflicts between Western and Eastern Mongols, the Khalkha lands were attacked by the Oirat Ġaldan Bośuġtu (1644–1697), and the Jebtsundamba fled to Southern (Inner) Mongolia. Khalkha Mongols and the Jebtsundamba allied with the Manchu Emperor Kangxi (r. 1662–1720). Upon Ġaldan Bośuġtu’s defeat and the Jebtsundamba’s return to his homeland, he was regarded as the main religious and political figure of the Khalkha Mongols. After the death of the second Jebtsundamba, who was engaged in anti-Manchu activity, in order to prevent merging of religion and secular power of the Mongols, Manchu authorities forbade searching for the Jebtsundamba incarnations in Mongolia. All subsequent seven incarnations were recognized among the Tibetans.
The importance of the Jebtsundampa incarnations as religious and political leaders of Khalkha Mongolia (otherwise called Northern Mongolia or Outer Mongolia) resulted in elevating the Eighth Jebtsundampa or Boġda Gegen (1871–1924) to the position of a hierocratic monarch, Boġda Khaġan, similarly to the Tibetan Dalai Lamas, when Mongolia gained independence in 1911. His rule was interrupted by the Chinese in 1919 and again in 1921 by the communists. After his death the communist authorities forbade searching for the next incarnation. Nevertheless, the Ninth Jebtsundamba (1933–2013) was found in Tibet and raised in a monastery. In 1959 he fled to India where he lived as a lay Tibetan refugee. With democratization in Mongolia his recognition as Jebtsundamba was reconfirmed by the Dalai Lama in 1991 with a task of preserving the religious legacy of the Jebtsundambas and the Jonangpa tradition. In 2011 he was enthroned as the head of Mongolian Buddhists. After his passing the process of searching for the tenth incarnation has begun.
Roger R. Jackson
Mahāmudrā, “the Great Seal,” is a Sanskrit term (Tibetan: phyag rgya chen po) that connotes a wide range of concepts and practices in Indian Mahāyāna and, especially, Tibetan Buddhism, most of them directly or indirectly related to discourse on ultimate reality and the way to know and achieve it. The term first appeared in Indian tantric texts of the 7th or 8th century
Emperor Tri Songdétsen (Khri Srong lde brtsan; 742–c.800
The basic contours of Tri Songdétsen’s life and work may be gleaned from contemporary administrative records and from the king’s own inscribed pillar edicts and their accompanying paper documents. These describe how he was enthroned as a fourteen-year-old boy after his father was assassinated in the course of a revolt. They also give Tri Songdétsen’s reasons for officCially supporting Buddhism, and mention some of the opposition that he faced. As accounts of the concerted introduction of Buddhism to Tibet, Tri Songdétsen’s edicts constitute a clear forerunner to later Tibetan “histories of the Dharma” (chos ’byung) that would become a standard medium for Tibet’s Heilsgeschichte from the 11th century to the 21st. In this way, Tri Songdétsen also played a key role in the genesis of Tibet’s unique form of Buddhist historiography.
Ironically, the very historiographical traditions that Tri Songdétsen inaugurated in Tibet would in subsequent centuries come to express an ambivalent attitude toward the emperor’s central role in the establishment of Buddhism. Although he was lionized shortly after his death and in the century that followed, in Buddhist histories and hagiographies from the 12th century onward, Tri Songdétsen is eclipsed by the figure of the yogin Padmasambhava, who is credited as the real agent in the conversion of Tibet. Within this new narrative, the king is somewhat ineffectual in his commitment to Buddhism, such that his failure to follow Padmasambhava’s instructions eventually accounts for Padmasambhava’s departure from Tibet and for all sorts of future calamities that befall Tibet, its monarchy, and its people.
The subordination of Tri Songdétsen to Padmasambhava is part of a larger movement by which kings receded from Tibetans’ devotional emphasis and from their daily lives, and by which the figure of the lama ascended to cultural paramountcy. In particular, it reflects a shift in devotional emphasis across the 11th to 13th centuries from the cult of Emperor Songtsen Gampo (Srong rtsan sgam po; c. 605–649), who was viewed as an emanation of Tibet’s protector bodhisattva, Avalokiteśvara, to that of the yogin Padmasambhava, revered as an emanation of the Buddha Amitābha. Tri Songdétsen became a supporting player in Padmasambhava’s hagiography and cult, as one of his twenty-five disciples, and was also refigured as an emanation of the bodhisattva Mañjusrī. It is in this guise that Tri Songdétsen is remembered within Tibetan cultural memory and within Tibetan Buddhism more generally from the 12th century to the 21st.