John C. Blakeman
Issues of church and state are an important element of American religious history and politics. Church–state issues frequently concern the extent of government regulation over religious groups and individuals, and they address fundamental issues, from the constitutional limits on government regulation of religiously inspired conduct to state and local government zoning of religious congregations and property owned and used by religious groups.
Space is often a part of church–state issues. Beginning with early debates over religious liberty in the Puritan colonies in the 1600s, and again during the American Revolution and framing of the U.S. Constitution between 1775 and 1790, spatial conceptions of the proper role between church and state, and between government and religion, are prominent. Two fundamental thinkers on American religious liberty, the Puritan minister Roger Williams and the constitutional framer James Madison, illustrate this dimension of church–state relations.
Disputes over space, church, and state are often resolved by the court system through litigation, or through the political process. Such disputes often stem from government policies and regulations that affect how a congregation or religious group uses its own property. For instance, zoning and other municipal ordinances may affect and burden how a religious group uses its property and even interfere with a group’s religious mission. Religious beliefs may compel a congregation to use its property to engage in charitable works, yet it may be prohibited from doing so due to government regulations on how its property can be used. Or when a congregation seeks to expand its facilities to attract more members, or even build a new worship center elsewhere, it may encounter government policies that regulate its ability to do so.
Other disputes over space arise when government regulation of public property affects a religious group’s use of it. For example, some religious groups stake a sacred claim to land or other space owned by the government. However, government regulations concerning how the land is used might interfere with a group’s ability to act upon its sacred beliefs. In some cases, religious groups may seek to use public property for religious purposes and activities, such as the display of a religious symbol or for proselytizing to the public, and government policies may prevent that in order to avoid violating the Constitution’s ban on government establishment of religion in the First Amendment.
A final view of space and church–state issues is more conceptual and less grounded in tangible space, land, and property. Some religious groups seek a more abstract, intangible space between them and government regulation. Groups such as the Old Order Amish that seek to separate from the world will erect a buffer space between themselves and government regulation, so as to preserve the purity, and sanctity, of their way of life that is inextricably linked to their specific religious beliefs.
The megachurch is one of the most recognizable and characteristic religious spaces in the modern United States. Super-sized, consumer oriented, and blandly contemporary, megachurches have become popularly identified with a host of middlebrow American cultural stereotypes. Yet these congregations have proven themselves to be a leading force in the practice of contemporary evangelicalism, their numbers, average size, and evangelistic reach growing dramatically over the past forty years. Building on nearly a century of experimentation, modern megachurches have hit upon a highly successful formula for attracting and retaining attendants. Through a careful calibration of worship style, sermonic messaging, institutional identity, and programming offerings, their market share has swiftly multiplied. As a result, megachurches now dominate the practice of contemporary Protestantism, setting new standards for how a church should look, sound, and feel and establishing the mantra of “church growth” as the widely adopted aim and purpose of modern ministry.
Spatial strategies have been at the core of these growth efforts. Megachurches draw explicitly from the architectural idioms of contemporary shopping malls, corporate complexes, sports arenas, and television studios as a means of making themselves immediately familiar and inviting for the average congregant. They provide a great array of on-site amenities and specialized interiors to appeal to diverse constituencies who may be searching for different attributes in a church home. Choice is therefore incorporated as a spatial principle, permitting attendants to self-design their worship experience and opt in to the level of commitment they feel prepared to offer. Megachurches also typically take an aggressive posture toward their spatial milieus, treating their immediate environs as an active mission field. They regularly deploy lay volunteers to canvass local neighborhoods and encourage members to network on behalf of the church. They encourage the pursuit of new member growth, even if it comes largely from congregational switching rather than recruitment of the “unchurched.” Megachurches thus tend to dominate the religious ecology of their suburban habitats, outcompeting smaller churches for members and money.
Research on the megachurch subculture has primarily been conducted by sociologists and ethnographers, but a bevy of commentary by theologians, ethicists, historians, and journalists has emerged to supplement that social scientific focus and place the megachurch in wider context. Within that growing literature, four lines of inquiry frequently recur: What defines and differentiates the megachurch? What are the historical and cultural sources for its formulation? What explains its rapid rise to prominence in the modern moment? And what does the rise of the megachurch represent for communities of faith, for both insiders and outsiders to the movement? In the round, the varied answers to these interrogations paint a picture of a hotly contested institution, whose definition, origins, and meaning are debatable. Yet there is little doubt that the spatial strategies of megachurches, so frequently admired, imitated, and condemned, can help us address these questions and therefore merit further exploration and understanding.
The Revelation of Jesus Christ, or the Apocalypse of John, has been extraordinarily influential in Christian life and theology. For example, because of the many hymns sung by the heavenly host, Revelation has, like Isaiah 6:3, been particularly influential on liturgy and also music, for instance, the setting of Revelation 5:12, “Worthy is the Lamb that was Slain,” in Handel’s Messiah. It is one of two biblical apocalyptic texts (the other being the book of Daniel in the Hebrew Bible). Apart from the opening words, a dominant theme of Revelation is prophecy, and its imagery emphasizing what John “saw” on Patmos suggests that the form of prophecy in the first century
In Christianity, theological language must be understood against the background of the multifaceted semantic field of Logos. “Logos” (as “word” and as “linguistic reason”) is used in multiple contexts: (1) Trinitarian theological (John 1:1); (2) creation (Gen. 1:3) and revelation-theological (Jesus Christ “the Word of God” [ὁ λόγος τοῦ θεοῦ]: Rev. 19:13); and (3) soteriological-eschatological (“Word of Life,” 1 John 1:1). These references are mediated through the philosophy of language’s concept of “translation” (Johann Georg Hamann) and the idea of divine condescension into human language.
In Luther, religious language as the language of the Bible is to be understood on the one hand by its character as a living address to humankind and on the other as an immediate confession of the believer in spontaneous reaction to it. In biblical language, the Word of God, conveyed in human terms, comes closer to us than we do to our own selves and transforms our earthly existence to the goal of everlasting life.
Theological language is intellectual interpretation and conceptual reflection on religious language with a theoretical aim—in other words, its intent is to reach an agreement about itself under the conditions of the overall context; it concerns the truth of religious language and texts.
Because Luther—linguistically aware to the highest degree—recognized the specific distinctiveness of biblical language, and of New Testament language in particular, his writings contain an abundance of differentiated reflections on the state of appropriate theological language. The Word of God in our human language requires theology to have a “different” or “new” logic (and philosophy) in its articles of faith. All traditional philosophical terms and logical forms of judgment and conclusion must be “translated” into Christianity—even, for example, the concept of the human being and of the Word itself.
In particular, the unity of God and man in Christ compels a new sort of language or way of thinking. The imaginative form of spatial prepositions (such as “in”) must be rethought in determinate negation. In God, opposites coincide.
Because God’s Word is directed against the self-conception of the sinner before God, it comes to humankind essentially in the twin linguistic structure of “Law” and “Gospel”; these categories also define theological language in a specifically Reformation sense.
New Testament language, in its fundamentals, is eschatologically oriented. Hence, categories such as “substance” or “essence” (essentia) must be rephrased on the condition that nothing has already been defined, and everything is still developing. Luther undertook this with an eschatology of the Word of God.
As Luther shows in the case of Jesus’ words at the Last Supper, “This is my body …,” the new logic is a genuinely linguistic logic, or rather thinking from language. Traditional (formal) logic replaces the logic of real language with an artificial model.
Finally, Luther also reflects on the linguistic status of the word “God” as a grammatical subject. Here, too, he wants the word “God” to be comprehended as a fluid substance, understanding it essentially as a verb—as a linguistic expression of movement—thus embodying the Reformation idea of “for me” (pro me).
Ultimately, it is always about the important role of two linguistic aspects in theological language: grammar on the one hand, which should receive fundamental attention, and linguistic usage (usus loquendi) on the other, the comprehension of which is also crucial. Thus, Luther’s understanding of theological language could be summarized in this statement: theology, understood linguistically, is a grammar of the language of the sacred scriptures.
John R. Stumme
During the 20th century there was a remarkable change in the interpretation of Martin Luther’s approach to society. During the 19th and first part of the 20th centuries, many understood that Luther advocated a sharp separation between gospel and world, faith and politics, church and state. Faith or religion was understood to be a private affair that had nothing to do with the autonomous functioning of government and other secular institutions. Christians were to obey the existing powers, even if unjust or authoritarian, and serve their neighbor through acts and church institutions of mercy. Lutherans were called quietists, defeatists, and dualists, and Karl Barth alleged that Luther’s understanding of law and gospel allowed other gods to claim allegiance alongside Jesus the Lord. And then especially there were the Lutheran failures in the Nazi experience.
All of this spurred theologians to critically evaluate their tradition and to take a fresh look at Luther in order to assist the church to be a more responsible presence in a changing world. In the middle decades of the last century, there was an impressive outpouring of historical and theological studies on what was being called Luther’s “two-kingdoms doctrine.” These studies did not exonerate Luther from all the ills of the tradition that bears his name, but they did reveal that other ideas and interests led to Luther’s approach often being wrongly interpreted and ideologically misused. These studies offered new interpretations, often differing in their positions and emphases, which demonstrated the complexity, the “labyrinth” (Johannes Heckel), of Luther’s thought and also revealed something about the social location of the interpreter. Yet there was wide agreement that Luther in his life and his theology did not disdain or withdraw from social and political life. On the contrary; a revisionist strain saw Luther’s theological distinctions to be essential for the church both to preserve the uniqueness of the gospel and to encourage Christians to participate critically in society. Questions remained, yet many in various contexts found in Luther a way for the church to affirm both justification and justice.
This all too brief sketch of the controversial and checkered history of interpretation of Luther’s thought on society since the early 20th century sets the stage for turning to Luther himself. In addressing social and political issues, Luther moves out from the center of his theology. That center is justification, the belief that people, sinners before God, are forgiven and justified by faith alone because of Jesus Christ. Christians living in faith before God also live at the same time in the networks and institutions of society where they are freed and called to love their neighbor. For Luther Christians always live in these two realms or relationships in which God is active; the loving God who justifies also creates the world in which Christians and others live. Better labels for Luther’s approach than “two kingdoms” are “the twofold rule of God” or “the two realms.”
Luther works out his understanding of political authority and its relation to spiritual authority as part of the twofold rule of God. He does so while protesting the abuses in the church and leading a reforming movement. He is concerned to show the proper function of Word and sword and their relationship. His 1523 treatise Temporal Authority: To What Extent It Should Be Obeyed sets out his perspective, which later he developed and modified.
Mark S. Smith
The Ugaritic texts provide a rich resource for understanding the Late Bronze Age kingdom of Ugarit, located on the coast of Syria. The site has yielded about two thousand tablets in Ugaritic, the West Semitic language of this city-state, and about twenty-five hundred tablets in Akkadian, the lingua franca of the period, as well as many texts written in seven other languages. These reveal a cosmopolitan, commercial center operating in the shadow of two great powers of the eastern Mediterranean basin, the Egyptians and the Hittites.
The Ugaritic texts offer innumerable literary and religious parallels to biblical literature. The parallels are so rich and in some cases so specific that it is evident that the Ugaritic texts do not merely provide parallels, but belong to a shared or overlapping cultural matrix with the Hebrew Bible. Ugaritic literature may not predate the earliest biblical sources by much more than a few decades, but the bulk of biblical literature dates to centuries later. Moreover, unlike the coastal, cosmopolitan center of Ugarit, ancient Israel’s heartland lay in the rural inland hill-country considerably to the south in what is today Israel and occupied Palestinian territory. Despite these important differences, Ugaritic and biblical literature are not to be understood as representing entirely different cultures, but overlapping ones.
Religion has always been a contextually based phenomenon, particularly in urban space. Cities of every size, in every period, and in every region of the country have been defined by the towers and spires of faith traditions. They have mapped cities, providing anchors to religionists who worship there, and contributing to the construction of civil society and a sense of place. Communities of faith have drawn migrants and immigrants to settle in a particular place and provided resources for adaptation and integration. Houses of worship have often defined neighborhood identities and become progenitors of social capital beyond their walls. Increasingly the physical and social forms of religion are becoming more diverse—different accents, practices, music, dress, and even scents pour into and out of houses of worship that may not be grand old structures but more modest structures built for other purposes, blending into the cityscape. Still, religion is influential in shaping its context both spatially and socially.
But the relationship is reciprocal, as context acts on the questions, meanings, and practices of faith groups as well. The city has occupied the religious imaginations of many traditions as an ambivalent symbol, seen as both the locus of depravity and of redemption. Out of these imaginaries religious questions, meanings, practices, and forms of engagement have been shaped. Further, the economic, political, social, and institutional dynamics of the urban space impact the practice and understanding of religion, and how it is expressed and lived out in everyday life.
The interaction of religions and urban space—what can be described as a dynamic synapse in a human ecology—is emerging as a focus of exploration in understanding how cities work. Although religion is often overlooked by many urban theorists, researchers, planners, developers, and governments, it is gaining fresh attention by scholars. Drawing on major schools of urban theory—particularly the modernist Chicago School and the postmodern L.A. School of Urbanism—the spatial dimension of urban religion is being analyzed in research projects from a growing number of contexts. Theoretical and empiric work is enabling a deeper understanding of the relationship of religion and cities; they cannot be considered in isolation. Religious agency cannot be exaggerated or romanticized but should be considered as what two researchers have called “one of the ensemble of forces creating the new American metropolis” (Numrich, Paul D., and Elfriede Wedam. Religion and Community in the New Urban America. New York: Oxford University Press, 2015.). In the same way, faith groups of all traditions and dimensions do not exist in isolation of their context as bubbles in city space. The intersection of space and urban religion is complex, especially as both religion and cities are in the midst of great change in the 21st century.
Jerome F. D. Creach
“Violence in the Old Testament” may refer generally to the Old Testament’s descriptions of God or human beings killing, destroying, and doing physical harm. As part of the activity of God, violence may include the results of divine judgment, such as God’s destruction of “all flesh” in the flood story (Gen. 6:13) or God raining fire and brimstone on Sodom and Gomorrah (Gen. 19:24–25). The expression may also include God’s prescription for and approval of wars such as the conquest of Canaan (Josh. 1–12). Some passages seem to suggest that God is harsh and vindictive and especially belligerent toward non-Israelites (see Exod. 12:29–32; Nahum and Obadiah), though the Old Testament also reports God lashing out against rebellious Israelites as well (Exod. 32:25–29, 35; Josh. 7).
Christians have wrestled with divine violence in the Old Testament at least since the 2nd century
Assessment of the significance of records of or calls for violent acts in the Old Testament are difficult, however, because of the complex literary and canonical context in which such passages appear and because of the incongruity between ancient Israelite culture and the culture(s) of readers today. Studies that compare the Old Testament presentation of violence with that of contemporary ancient Near Eastern nations offer potentially more controlled results. Comparative studies alone, however, cannot account for the multiple layers of tradition that often make up Old Testament references to violence. That is, while Assyrian and Babylonian records of warfare presumably describe what Mesopotamian kings actually did in battle, the Old Testament often reports wars and military conflicts, and the aspirations of the leaders of Judah, from the perspective of a defeated people. Thus, even Judah’s desire to defend itself militarily morphed into an expression of hope in God.
Given the complexity of the development of the Old Testament canon, a fruitful and ultimately more accurate way of treating the subject is to determine how ancient Israelites thought about violence and how the subject then affected the overall shape of the Old Testament. A logical starting point in this endeavor is the Hebrew word ḥāmas. This term connotes rebellion against God that results in bloodshed and disorder and a general undoing of God’s intentions for creation. Thus, violence appears to intrude on God’s world, and God acts destructively only to counteract human violence. For example, in Gen. 6:11–13 human violence ruined the earth and thus prompted God to bring the flood as a corrective measure. This way of understanding violence in the Old Testament seems to identify the Old Testament’s own concern of violence and presses a distinction between divine destruction and judgment and human violence.
Despite this potentially helpful approach to violence in the Old Testament, many problems persist. One problem is the violent acts that religious zeal prompts. Old Testament characters like Phinehas (Num. 25), Elijah (1 Kgs. 18:39–40; 2 Kgs. 1), and Elisha (2 Kgs. 2:23–25; 9) killed, ordered killing, or participated in killing in order to purify the religious faith and practices of the Israelites. Nevertheless, most texts that contain problems like this also contain complementary or self-corrective passages that give another perspective. The complexity of the material with regard to violence makes it possible to argue that the Old Testament opposes violence and that the ultimate goal, and divine intention, is peace.
William Blake (1757–1827) was a British artist, engraver, poet, and writer on theological themes. His illuminated books were the product of his technological inventiveness, and are characterized by the juxtaposition of texts and images in which a dialectic between two different media is a means of stimulating the imagination of the viewer and reader. Influences on Blake are often hard to trace, though he explicitly cites and criticizes Milton and Swedenborg, as well as the contemporary artist Joshua Reynolds. Such influences, which might help explain Blake’s ideas, seem less important than the extraordinary inventiveness which one finds in his words and images and their production, which have analogies to earlier themes, but without offering the evidence that demonstrates direct dependence. Blake’s emphasis is on the importance of “inspiration” rather than “memory,” and as such he set great store on the creativity of the poetic genius and its reception by the engaged reader or viewer. The visual was primary for Blake. It was a major part of his attempt to produce that which is “not too explicit as the fittest for Instruction,” to allow the reader/viewer to work out what the meaning of words and images was and how one might inform the other. Much of his work is inspired by the Bible, though the heterodox approach he takes to biblical interpretation is frequently at odds with mainstream Christian opinion. Blake’s lifelong fascination with the work of John Milton led him both to challenge and refine his great predecessor’s views and, in Milton a Poem, to enable the departed spirit of Milton to discern the worst of his intellectually self-centered excesses. Blake’s interpretative method, his hermeneutic, is encapsulated in some words he wrote to a client who was perplexed by his work. In it he gave priority to imaginative engagement with the Bible which was only then complemented by rational reflection: “Why is the Bible more Entertaining & Instructive than any other book. Is it not because they are addressed to the Imagination which is Spiritual Sensation & but mediately to the Understanding or Reason?” (Letter to Trusler 1799, E702-3). His ongoing work and the complex idiosyncratic mythology that he invented reflect the changed circumstances of the reaction to the events in revolutionary France. Themes of the Blake corpus, such as prophecy, challenge the hegemony of authoritative texts like the Bible. His critique of dualism and monarchical view of God pervade his work.
Born in 1757, Blake lived most of his life in London with the exception of four, often difficult, years in Felpham, Sussex (1800–1804). He was married to Catherine Boucher (1762–1831), who in his later years was a collaborator in his engraving and printing. Arguably, the companionship of Job’s wife in the Illustrations of the Book of Job, so different from the impression one gets from the brief reference to Job’s wife in the biblical book, may reflect their marriage. The Felpham years were difficult because they marked a time of great personal upheaval, when the ideas which formed his long illuminated poems, Milton a Poem and Jerusalem: The Emanation of the Giant Albion, took shape. As a consequence of an incident with a soldier in Felpham, he was put on trial at this time for sedition, for comments he was alleged to have made to this English soldier. This experience seared his visionary imagination and left its trace in the repeated references to the soldier who brought the charge against him, Schofield, which are dotted throughout Blake’s Jerusalem. Blake was trained as an engraver and pioneered his own technique. This remained the basis of his art, and arguably offered a means that complemented his visionary imagination (Joseph Viscomi, Blake and the Idea of the Book, 1993). After his move back to London, he lived in obscurity and on the fringes of poverty, indebted to the support of patrons like Thomas Butts, for whom he painted many biblical scenes, and later John Linnell. Only in the last years of his life was he discovered by a group of artists. Toward the end of his life he was adopted as an artistic father figure by a group called “The Ancients,” which included George Richmond, Samuel Palmer, and Edward Calvert.
The Hebrew Bible is a book that was primarily written by men, for men, and about men, and thus the biblical text is not particularly forthcoming when it comes to the lives and experiences of women. Other evidence from ancient Israel—the society in which the Hebrew Bible was generated—is also often of little use. Nevertheless, scholars have been able to combine a careful reading of the biblical text with anthropological and archaeological data, and with comparative evidence from the larger biblical world, to reconstruct certain features of ancient Israelite women’s culture. These features include fairly comprehensive pictures of women’s lives as wives and childbearers within Israel’s patrilineal and patrilocal kinship system and of women’s work within the economy of a typical Israelite household. Because the Bible is deeply concerned with religious matters, many aspects of women’s religious culture can also be delineated, even though the Bible’s overwhelmingly male focus means that specific details concerning women’s religious practice must be painstakingly teased out of the biblical text. The Bible’s tendency to focus on the elite classes of ancient Israelite society likewise means that it is possible to sketch a reasonable portrait of the experiences of elite women, especially the women of the royal court, although, again, this information must often be teased out of accounts whose primary interest is elite men.