You are looking at 51-60 of 289 articles
The Eucharist is a liturgical meal of bread and wine, which is almost always preceded by a service of reading the Scriptures. Christians attribute the origin of the Eucharist to Jesus Christ himself at the Last Supper on the night before he died. Many Christians regard the Eucharist as a sacrament and as their central ritual, and many celebrate the Eucharist weekly or even more often. This sacred meal has had various names throughout history: the Lord’s Supper, Holy Communion, the Offering, the Divine Liturgy, the Mass. The most common name in the early 21st century, however, is Eucharist, which derives from the Greek word Eucharistia, a thanksgiving.
What we know since the 3rd century as the basic form of the Christian Eucharist is most probably the result of a number of trajectories from the first 150 years of Christianity coming together, including: fellowship meals in remembrance of Jesus, celebrations of his passion and resurrection, and the tradition of his significant meals such as the Last Supper and the Supper at Emmaus (Luke 24).
In the late 4th and 5th centuries, many local traditions coalesced to produce (1) a basic common form of Eucharistic liturgy consisting of entrance rite, liturgy of the word, homily, prayers, the sharing of a kiss of peace, presentation of gifts of bread and wine, Eucharistic prayer, Lord’s Prayer, fraction of the bread, distribution of communion, and dismissal; and (2) the various traditional liturgical families tied to major Christian cities: Byzantine (Constantinople, Jerusalem, Antioch), Coptic (Alexandria), East Syrian (Edessa), and Roman.
The church of the first millennium knew a common affirmation of the understanding of Christ’s real presence in the Eucharistic elements as well as a variety of ways of expressing the notion of Eucharist as sacrifice. The first controversies over how to express Christ’s presence arose in the 9th century, and they rose to a crescendo with Berengar of Tours in the 11th century. The most sophisticated explanation of that presence (transubstantiation) was provided by Thomas Aquinas in the mid-13th century.
The Protestant reformers of the 16th century made various criticisms of traditional Roman Catholic theology and practice. They insisted on using the language of the people, giving communion in both bread and wine, and dismissing the language of Eucharistic sacrifice. The Reformed tradition (John Calvin) and the Lutheran differed considerably, however, on how to affirm Christ’s presence in the Eucharistic celebration, with Luther taking a much more realist position and Calvin a more “spiritual” understanding. The Church of England was reluctant to take sides in this discussion and its own theological position on the Eucharist remains a matter of debate.
The liturgical movement of the 19th and 20th centuries, combined with renewed interest in biblical and patristic scholarship, has produced a remarkable convergence among various Christian churches, and it has led to Eucharistic liturgies among Catholics, Anglicans, Lutherans, and Methodists that bear a notable similarity to one another.
Evangelism, mission, and crusade are terms related to spreading a religious message. Although all three words are primarily used in relation to Christianity, evangelism and mission have been applied to activities by traditions other than Christianity and, indeed, to secular actors, including nations. In the context of American religion, evangelism, mission, and crusade are activities through which people have contested and defined national identity and distinguished between the “foreign” and “domestic” and “us” and “them.” These delineations, even when done through activities ostensibly concerned with religious difference, have often been made on the basis of ethnicity and race. Thus, exploring evangelism, mission, and crusade illumines how notions of religious, racial, ethnic, and national difference have been constructed in relationship to each other. Considering these terms in their U.S. context, then, reveals relationships between religious and national identity, the role of religion in nation-building, and how religious beliefs and practices can both reify and challenge notions of what the nation is and who belongs to it.
Political Islam has generated two ideological strands that use religious ideology to advance their goals, namely, Islamism and jihadism. On the one hand, Islamists have formulated a political paradigm premised on Islamic teachings that are adaptable to the secular framework of the modern state and have, therefore, endured both as domestic and global political actors. On the other hand, jihadis have rejected positive law outright and advanced a global revolutionary paradigm against today’s secular world order. Key to jihadism’s appropriation of Islamic teachings is a quest for a legal code that provides jihadis with both an anti-establishment justification for their violence and a claim to legitimacy in the minds of Muslims whom they wish to enlist as their followers.
As part of a broader turn in humanities scholarship toward emotion since the late 20th century, scholars of religion increasingly have explored how emotion has been a key component in the lives of religious Americans. The relation of emotion to religious ideas has been particularly important in this nascent scholarship. In exploring how emotions and religious ideas are intertwined, scholars have focused on emotions such as love, melancholy, fear, and anger, among others. However, for reasons having to do with the historiography of American religion, as well as with categories that have governed much academic study of religion in America, the feeling of emptiness, which is so crucial to understanding Buddhism, and other Asian religions, has been underestimated for its role in American religions. In America, the feeling of emptiness plays a central role in religious practice, community formation, and identity construction, among Christians (the religious majority) but also in other religious communities. This essay describes some of the ways in which the feeling of emptiness has been expressed in American religions, and in American culture more generally, comments on how it has been joined to certain ideas at various times, and suggests how it has played a central role in shaping relations between religious groups in a society where religion is disestablished. The approach here is eclectic, blending historical narrative with cultural analysis, and the essay proceeds thematically rather than chronologically. Focusing on the feeling of emptiness allows a fresh perspective on religious practice in America, prompts new questions about belief and community, and enables new lines of interpretation for the development of religious ideas in America. Christians, Buddhists, Jews, and other religious communities in America have distinct ways in which they interpret the feeling of emptiness as a spiritual phenomenon. Religious persons often conceptualize it as an emotional experience of great value. Among Christians, it is important as a sign of an emptying of the self of immorality, distractions, and worldly clutter in preparation for being filled with the grace of God. Accordingly, Christians and others in America have developed spiritual disciplines aimed at cultivating the feeling of emptiness and advancing it to a point where deep longing becomes deep fulfillment. Religious practices involving the body include fasting, which is emptying the body of food, and tears, which empty the body of fluids. Bloodletting is also a notable practice, and, for those who do not cut or otherwise make bloody sacrifice (including war and lynching), bloodletting nevertheless is revered as a model discipline of emptying. There are aspects of sexual practices and the performance of work that also are exercises in self-emptying. All such disciplines are expected to prompt and enrich the feeling of emptiness. The severe fast, the deep feeling of emptiness, the desperate longing, the distancing from God becomes, paradoxically, a drawing closer to God. From the earliest settlement of North America, white Europeans and their descendants constructed the emptiness of the land to match the emptiness of their souls. Americans claimed to feel space. They expressed the spiritual feeling of emptiness in ideas about North America as a barren desert, crying to be filled by colonists and their descendants. The Great American Desert, a fiction created in the early 19th century, was one way in which Americans continued to imagine space as empty and themselves, as God’s exceptional nation, as the agents of fullness. American fascination with millennialism was a valorization of the fullness of eternity over the emptiness of history. Millennial movements and communities in America felt time as they did space, and when American Christians felt historical time they felt its emptiness. Americans have constructed elaborate and richly detailed depictions of the end as they look forward to a time when empty time will become eternity, fullness. Christian groups in America, populated by persons who cultivate emptiness, have defined themselves largely by saying what they are not. Both persons and communities, invested in the feeling of emptiness, mark personal and collective boundaries not by projecting into the social world a pristine essence of doctrine so much as by pushing off from other groups. Committed to emptiness, there is little to project, so the construction of identity takes place as an identification of Others. Such a process sometimes leads to the demonization of others and the production of identity through the inventorying of enemies.
Festivals are periods of time, cut out from daily life, during which a group performs activities that are most often thought of as communications with the superhuman world. Festival names in Greece and Rome often express this close connection with a divinity, a hero, or a human founder, or they refer to a ritual activity that is characteristic for a festival. The basic ritual elements that underlie a specific festival scenario are similar in both cultures (as well as in other cultures of the ancient Mediterranean world): processions, sacrifices with ensuing banquets, and athletic and musical contests are most common and exist already in the festival descriptions in Homer, such as the New Moon festival on Ithaca in the Odyssey. Common festivals founded and expressed group identity, first and foremost on the city level, but also for smaller and larger groups, from the family and clan group to the tribe or the community of all Hellenes. Greek and Roman festivals were so similar in their basic forms that, during the Imperial epoch, cities in the eastern part of the Empire adopted Roman festivals despite the fact that Greek cities followed a lunar calendar, whereas Rome early on had introduced a luni-solar system. The one festival type absent from the Roman world, at least during the Republican epoch, was the mystery ritual that, typically through a one-time initiation ritual, founded groups that transcended a single city, as well as the limits of gender and social status.
During the Imperial epoch, both Rome and the cities of Greece continued their traditional festivals, but also developed their festival calendars in new directions, continuing and exploring innovations that had occurred already in Hellenistic times. An early development was ruler cult, developed in the Greek cities during Hellenistic times and adopted for the cult of Roman emperors, who exploited its potential to tie together a heterogeneous empire through shared cultic activities. The most important driving force was an understanding of divine power that was defined through its helpful manifestation and thus allowed the cult of outstandingly powerful humans. Wealthy citizens of Hellenistic cities also founded festivals in the memory of family members, and during the Imperial period, such foundations multiplied and gained in grandeur. The Imperial epoch also saw the extension of single festivals to events that lasted many days, if not an entire month and helped to shape the Christian festival calendar with its long festival periods.
Since the dawn of the cinema at the turn of the 20th century, the church and its vicissitudes have been an essential part of the Hollywood story. There is a basic affinity between film and religion; both propagate values and offer visions of life that can—and often do—rival one another. For that reason, religious leaders have always been wary of Hollywood’s effect on the moral and religious character of the nation and its influence around the world. The film industry evolved in tandem with the church and other social institutions as it became integrated into society as a legitimate art. Negotiations with Hollywood were complex as church leaders sought to resolve enduring tensions between profits and the public welfare, freedom and control, art and entertainment, morality and marketing.
Approaches to the cinema embody deeply held religious principles held in some tension. The one stresses freedom of expression and individual conscience; the other a concern with protecting the church and the moral and religious character of American society. Various perspectives that are rooted in different theological-cultural traditions exist along a spectrum. At one end is an emphasis on the individual as the genesis of social change; at the other is a concern with transforming institutions that influence and govern people’s lives. These two tendencies, which are not mutually exclusive, find expression both within religious groups and between them.
In the history of Hollywood-church relations, Protestants favored industry reforms to protect individual liberty and the common good based on a shared recognition of the need for self-restraint and public responsibility. While Protestants stressed the individual conscience in movie matters, Catholics emphasized ecclesiastical authority. Proscribed film viewing and production oversight were deemed necessary to develop the individual conscience and protect parishioners from false ideas and immorality. Evangelicals, in turn, utilized film to evangelize and expected to restrain film production with highly publicized protests and a demonstrable consumer demand for family-friendly movies. Though motivated by different goals and perspectives, these strategies are all in some measure attempts to fuse moral and religious principles with democratic values and market realities: persistent dynamics traceable from the origins of the cinema to contemporary debates.
Carol S. Anderson
The Buddhist teaching known in English as the four noble truths is most often understood as the single most important teaching of the historical buddha, Siddhartha Gautama, who taught in northern India during the 5th century
Phillip Gordon Mackintosh
This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Religion. Please check back later for the full article.
American Freemasonry is as much a geographical as a sacred practice. Emerging from arcane Enlightenment origins, masonic theology and practice brims with a spatiality representative of masonry’s compulsion to make men moral. Moral masculinity reflects in Freemasonry’s “sacred geography,” masonic space fixed with symbols vital to the moral, social, and arguably spiritual growth of potential and actual Freemasons. Masonic spatiality links to Freemasonry’s central myth: the erection of King Solomon’s temple. Interpreting the Old Testament sanctuary as a stone artifact (for which no archeological evidence exists) furnished Freemasonry with a) its foundation narrative and architectural imaginary; b) the intrigue for the death-and-resurrection ritual capping the Master Mason rite, the last of masonry’s three core rituals; c) the sacred meanings and purposes of the lodge; and crucially, d) its rite-inspired spatiality, in which elements of the temple, its divinity, and construction achieve prominence.
Masonic geography ironically includes a penchant—albeit waning—for racial and sexual apartheid, a social segregation originating in early modern American misapprehensions of biology, anthropology, and gender. Accordingly, “black” masons attend separate lodges. Prince Hall Freemasonry has existed since the late 18th century and is named for its eponymous founder, although “blacks” join “white” lodges today. Women masons or “matrons” are initiated in an appendant Christian rite. A 19th-century phenomenon, the Order of the Eastern Star, was developed for evangelical Protestant women-followers of Jesus, intentionally to distract them from the unconcealed deism of the men’s rituals in a milieu of Christian antimasonry.
The locus of Freemasonry was (and is) the lodge, which denotes both the building space and its occupants. In lodges, masons conducted the busy-work of admitting multitudes of late-Victorian, Edwardian, and interwar American males into the mysteries of “Blue Lodge” or “Craft” Freemasonry. It was likely because of the intensive initiation-toil in Craft lodges that masons over time sacralized the lodge and its teleological attributes; masons insist Freemasonry is not a religion. They routinely embedded sacred geography in buildings as stylish as Georgian, Victorian, and Edwardian “temples,” or as prosaic as frame, brick, or block ex-urban and suburban halls. Still humbler lodges could be found in simple multi-use back rooms or above street-level shops.
Importantly, this historical spatiality evokes Victorian faith in moral environmentalism: the impulse to effect virtuous and civil behavior through orderly manipulations of environment. Indeed, the dedicated employment in the lodge of masonic furniture and furnishings loosely mimics the Victorian middle-class parlor’s preoccupation with order, design, and moral aesthetics. Masons call this ritual—and allegorical—décor the lodge’s form, support, covering, furniture, ornaments, lights, and jewels. These include, among others, the letter G (God), the compass and square, a draped altar, a bible, candlesticks, blocks of dressed and undressed limestone, Greek columns—usually Doric, Ionic, or Corinthian—and a mosaic of checkered floor tiles. Each instance of this arguably religious space in the lodge signifies to a degree a rite’s moral masculine transformation of masonic candidate and mason alike. In this way, the lodge becomes a “sacred retreat” for masons who dwell outside its precincts.
Throughout American history, religious people and groups have developed, sustained, or challenged cultural norms around gender, marriage, and sexual purity. Beginning with the earliest English Protestant settlers in the 17th century, American Christians have devoted consistent attention to the proper roles of men and women, and to the proper functioning of families. Throughout American history, religious leaders have assigned men as spiritual leaders of their families. Assessments of women’s piety—and its importance in maintaining social order—have grown more positive over time. Prophetic radicals and political activists have frequently challenged American Christianity by attacking its traditionalism on issues related to gender and sexuality. The ideal of a “traditional family” has, however, proven quite robust. Even as cultural attitudes around gender and sexuality have shifted dramatically in recent years, the presumption that typical American families are heterosexual, middle-class, and Christian has persisted. This presumption developed over time and has remained dominant owing in part to the contributions of American religious groups.
The history of religion in the United States cannot be understood without attending to histories of race, gender, and sexuality. Since the 1960s, social and political movements for civil rights have ignited interest in the politics of identity, especially those tied to movements for racial justice, women’s rights, and LGBT rights. These movements have in turn informed scholarly practice, not least by prompting the formation of new academic fields, such as Women’s Studies and African American studies, and new forms of analysis, such as intersectionality, critical race theory, and feminist and queer theory. These movements have transformed how scholars of religion in colonial North America and the United States approach intersections of race, gender, and sexuality.
From the colonial period to the present, these discourses of difference have shaped religious practice and belief. Religion has likewise shaped how people understand race, gender, and sexuality. The way that most people in the United States think about identity, especially in terms of race, gender, or sexuality, has a longer history forged out of encounters among European Christians, Native Americans, and people of African descent in the colonial world. European Christians brought with them a number of assumptions about the connection between civilization and Christian ideals of gender and sexuality. Many saw their role in the Americas as one of Christianization, a process that included not only religious but also sexual and cultural conversion, as these went hand in hand. Assumptions about religion and sexuality proved central to how European colonists understood the people they encountered as “heathens” or “pagans.” Religion likewise informed how they interpreted the enslavement of Africans, which was often justified through theological readings of the Bible. Native Americans and African Americans also drew upon religion to understand and to resist the violence of European colonialism and enslavement. In the modern United States, languages of religion, race, gender, and sexuality continue to inform one another as they define the boundaries of normative “modernity,” including the role of religion in politics and the relationship between religious versus secular arguments about race, gender, and sexuality.