John D. Rempel
Anabaptism and its descendant movement, Mennonitism, came into being through the illegal baptism of believers upon confession of faith. Anabaptist worship was characterized by form and freedom. It included reading and interpreting the Bible by preachers and other worshipers, practicing baptism, the Lord’s Supper, anointing, and other acts while allowing for immediate promptings by the Holy Spirit, as in 1 Corinthians 14. Routinized worship developed gradually by means of leaders internalizing important turns of phrase as well as writing prayers and publishing prayer books. Some streams of Mennonitism, like the Amish, have laid great stress on following the tradition that emerged. At the same time there arose renewal and missionary movements for whom Spirit-led improvisation was essential for true worship that was accessible to seekers. Beginning in the late 19th century, Mennonite churches arose in the Global South. For them the movement between form and freedom was essential to authentic worship. Singing is the central act of the congregation in all types of Mennonite worship. There is a lean sacramentalism in which the visible church is the body of Christ in history. In the practice of ordinances or sacraments, there has been great concern from the beginning that God’s acts of grace be received by the faith of the believer in order for such acts to be true to their intention. The Lord’s Supper emphasizes encountering both Christ and one’s sisters and brothers in a transformative way. Baptism is entering a covenant with Christ and the church. In addition, anointing, discipline, funerals, marriage and celibacy, parent and child dedication, and ordination are practiced.
The relationship between Egypt and ancient Israel and Judah was far more complex than is often recognized. Egypt figures prominently in their national myths of origin as a way station for the patriarchs and as the “house of slaves” and starting point of the Exodus. Although no Exodus event can be confirmed from extrabiblical sources, its significance in the Bible suggests an historical kernel. The diverse existing traditions about Egypt in the texts of the Pentateuch and other early biblical writings, combined and written down at a later date, seem to reflect different experiences on the part of the groups that coalesced into Israel
By the time of the monarchy, there is more direct evidence for Egyptian influence on Israelite culture, particularly in administrative affairs. It is also clear that Egyptian religion was practiced in the Levant at this time and would have been known in Israel and Judah.
By the time of the divided monarchy, the historical picture comes into better focus. Relations between Egypt, Israel, and Judah were quite variable. Although Egypt’s New Kingdom empire in the Levant had ended, the region continued to be a useful trading outlet, and the pharaohs were not above raiding to assert their power. However, there are numerous examples of fugitives from the Levant finding refuge from their enemies in Egypt. In the interest of maintaining a buffer zone against the northern empires that encroached, Egypt and Kush gave military aid to Israel and Judah at times, through both direct action and supplies.
The prophets had not forgotten Egypt’s role as an oppressor and frequently condemned it, as well as the tendency of Israelite and Judahite rulers to seek its help. But at times the prophets also envisioned peace with Egypt.
There are a number of specific Egyptian texts that supply mutually illuminating points of comparison with biblical texts, including wisdom instructions, prayers, hymns, creation accounts, and autobiographies. These are indications of the extensive, ongoing, cultural interactions between Egypt and the cultures that produced the Old Testament.
Lincoln A. Mullen
Since the first printing presses were established in Britain’s North American colonies, print was a ubiquitous feature of American religion. Print was a powerful means of communicating religious ideas, both to the faithful and to people whom religious groups wished to persuade. One common form of religious communication was the pamphlet or, by the 19th century, the tract. These tracts were a way of catechizing people who were already a member of different denominational groups, and tracts provided them with inexpensive collections of religious reading material, such as hymns or psalms. Tracts become a primary feature of evangelism in the United States, as did Bible distribution. In the 19th century the American Tract Society and the American Bible Society managed to exert a long reach into the interior of the United States, with distribution channels that were more far flung than those of any other institution except perhaps the postal service.
Print also functioned as a means of creating institutional loyalties. The American Tract Society created a network of tract distribution and funding which linked together large numbers of affiliate societies. While the American Bible Society preferred a different organizational structure, it brought together a wide array of denominations to make common cause for Bible distribution. In the 20th century, trans-denominational periodical publishers managed to unite various wings of Protestantism, as periodicals staked out positions in debates between fundamentalists and modernists, or later between evangelicals and liberal or mainline denominations. Yet smaller publications also functioned to establish denominational loyalties.
The Bible was by far the most important printed text in American Christianity. One of the earliest imprints in North America was a translation of the Bible into the Algonquian language, and later missionary groups sometimes made it a priority to translate the Bible into Indian languages. Printing of the English Bible proliferated for a number of reasons. One was the repeated efforts of the American Bible Society to supply the United States with a Bible for every household. Another was the development of various editions of the Bible, containing different qualities of paper and typography, or distinguishing themselves by the purpose of the text, such as study Bibles rich in notes, maps, and other explanatory features. A third reason was the proliferation of Bible translations, beginning with the late-19th-century Revised Version. These Bible versions were aimed at improving the scholarly reliability of the text, but they were matters of intense interest and debate among Christians more generally. Bible translations came to be a key marker of group identity and a contested source of religious authority, even as they were sponsored by trans-denominational groups like the National Association of Evangelicals or the National Council of Churches.
In short, print culture was a primary means of establishing group loyalty, for various Protestant groups as well as for Jews and Catholics, yet it also represented a key attempt at Christian unity and ecumenism. Print culture was both a proxy for many other ways of being religious and a powerful religious force in its own right.
John A. Maxfield
Scholarly analysis of biblical interpretation and commentary in the history of Christianity has become an important subfield in history as well as biblical studies and theology. From the Reformation and into the modern era, Martin Luther has been appreciated first of all as an expositor of the Bible and a confessor of its teachings. His vocation as a theologian called to teach in the University of Wittenberg was especially focused on the exposition of scripture, and his development as a theologian and eventually as an evangelical reformer was deeply tied to his experience in interpreting the Bible in his university classroom, in the Augustinian cloister, and in his household. His interpretation of scripture was the basis of his “Reformation discovery” of justification by faith, and his conflict with the papal church was largely the result of Luther’s conviction that the message of scripture, in particular “the gospel,” was being overwhelmed in the theology and churchly practice of his time by “human teachings” not supported by and contradicting scripture. As a result, Luther and other evangelical reformers of the 16th century appealed to scripture alone (sola scriptura) as the highest authority in shaping their theology and proposals for reform.
Luther’s teachings and leadership in the Reformation were shared and celebrated not only through his doctrinal and polemical treatises and catechetical writings, but also through the many sermons, biblical commentaries on both Old and New Testament books, and prefaces on the books of the Bible that were published in his lifetime and thereafter. Old Testament commentary was an especially important genre of Luther’s published works, as it encapsulated much of his work as a university professor of theology and evangelical reformer.
Erik H. Herrmann
Martin Luther’s exposition of the Bible was not only fundamental to his academic vocation, it also stood at the very center of his reforming work. Through his interpretation of the New Testament, Luther came to new understanding of the gospel, expressed most directly in the apostle Paul’s teaching on justification. Considering the historical complexities of Luther’s own recollections on the matter, it is quite clear that he regarded his time immersed in the writings of Paul as the turning point for his theology and his approach to the entire Scriptures (cf. LW 34:336f). Furthermore, Luther’s interpretation of the New Testament was imbued with such force that it would influence the entire subsequent history of exegesis: colleagues, students, rivals, and opponents all had to reckon with it. However, as a professor, Luther’s exegetical lectures and commentaries were more often concerned with the Old Testament. Most of Luther’s New Testament interpretation is found in his preaching, which, following the lectionary, usually considered a text from one of the Gospels or Epistles. His reforms of worship in Wittenberg also called for weekly serial preaching on Matthew and John for the instruction of the people. From these texts, we have some of the richest sustained reflections on the Gospels in the 16th century. Not only was the substance of his interpretation influential, Luther’s contribution to exegetical method and the hermeneutical problem also opened new possibilities for biblical interpretation that would resonate with both Christian piety and critical, early modern scholarship.
Anne W. Stewart
Do humans have a will capable of choosing the good, doing the good, and evaluating the good? These are the central questions of moral agency, the notion that humans can be morally responsible for their actions, that is, that they are capable of deliberately exercising agency for good or ill. The Hebrew Bible offers multiple perspectives on these questions, and at least three different models of moral agency can be discerned. Some traditions indicate that humans are fundamentally flawed moral creatures who are incapable of choosing the good apart from divine intervention. For example, the psalmist confesses: “I was born guilty, a sinner when my mother conceived me” (Ps. 51:5) and prays for a divine change in the human condition: “Create in me a clean heart, O God, and put a new and right spirit within me” (51:10). Other traditions, however, frequently take the more optimistic view that humans are capable of choosing and acting in accord with the good, though they may not always exercise their inherent capacity to do so. The Deuteronomic law, for example, is based on the notion that humans have the ability to distinguish obedience from disobedience and to act accordingly. Thus humans will reap the consequences of their actions, for God “maintains covenant loyalty with those who love him and keep his commandments, to a thousand generations, and [God] repays in their own person those who reject him … Therefore observe diligently the commandment” (Deut. 7:9–11). In other words, humans are held responsible for their moral choice. A third view, found especially in the book of Proverbs, takes a middle view that moral agency involves a combination of internal and external factors: while most, though not all, humans are inherently capable of choosing the good, their capacity for moral agency requires cultivation by external forces. That is, humans are capable of moral choice, yet their ability to choose according to the good depends upon both an innate receptivity and training by others. The Hebrew Bible thus reflects a diverse set of viewpoints about the status of human moral agency, the extent of human accountability, and the factors that influence human action.
Stephen G. Burnett
Christian Hebraism was a facet of Renaissance humanism. Biblical scholars, theologians, lawyers, physicians, astronomers, philosophers, and teachers in Latin schools sought to learn Hebrew in order to read the Old Testament in its original language, and to borrow and adapt ideas and literary forms from post-biblical Hebrew texts to meet Christian cultural and religious needs. While some medieval Christian scholars such as Nicholas of Lyra and Raymond Martin made extensive use of Hebrew in their works, not until the early 16th century were a significant number of Christians able to learn Hebrew and use it to study the Hebrew Bible and post-biblical Jewish texts. The desire of biblical humanists to read the Old Testament in Hebrew, the curiosity of Christian Kabbalists searching for ancient wisdom, and a slowly growing number of Jewish tutors and Christians who were able to provide Hebrew instruction all contributed to the growth of this movement. Jewish printers pioneered the techniques of mass-producing Hebrew books to feed this new market. Christian printers would use these same techniques to print grammars, dictionaries, and other books needed for instructing Christians. The growing conviction of Martin Luther and his followers that the Bible was the sole source of religious authority (sola scriptura) provided the most compelling reason for large numbers of Christians to learn Hebrew. The most active and innovative Protestant Hebraists during Luther’s lifetime were members of the “Upper Rhineland School of Biblical Exegesis,” including Martin Bucer, Wolfgang Capito, Conrad Pellican, and above all Sebastian Münster.
Martin Luther and his Wittenberg colleagues were early adopters of the new Hebrew learning. He first learned Hebrew using Johannes Reuchlin’s Hebrew grammar, and put his knowledge to practical use when lecturing on the Old Testament and translating the Bible into German. His colleagues, above all Philip Melanchthon and Matthaeus Aurogallus, helped Luther translate and revise his translation from 1521 until his death in 1546. Luther characterized his approach to interpreting the Hebrew Bible as “Grammatica Theologica,” employing Hebrew philology to interpret the text, but also wherever possible making it “rhyme” with the New Testament. Toward the end of his life, Luther became increasingly concerned that Münster and other Hebraists were too quick to accept Jewish interpretations of many Old Testament passages, particularly verses that traditionally had been understood to be messianic prophecies. In On the Last Words of David (1543) Luther offered a model of how he interpreted the Old Testament, while sharply criticizing Christian Hebraists who followed Jewish interpretation too closely.
Matthew Avery Sutton
Apocalypticism has had a powerful impact on American life. It has fostered among adherents a strong sense of purpose and personal identity, it has helped them interpret the challenges they face all around them, and it has provided them with a triumphant vision of the future. Although there are many kinds of apocalypticism, in the United States, Christian forms have dominated. The Bible’s focus on a coming millennium has offered Americans the promise of transformation and redemption in a world that sometimes seems void of both. When Christians have emphasized the Bible’s apocalyptic and millennial visions, they have acted in new and important ways. Apocalyptic visions, rather than fostering a sense of indifference to the coming of the end of days, have served as a call to battle. God, millennialists insist, has given them much to do and very little time in which to do it. Positive that Jesus is coming soon, they have preached revival and engaged directly and aggressively with their culture. Sometimes their actions have served to reinforce the status quo, and at other times they have sparked revolutions. The uses of apocalypticism and millennialism are almost as diverse as their adherents.
William Blake (1757–1827) was a British artist, engraver, poet, and writer on theological themes. His illuminated books were the product of his technological inventiveness, and are characterized by the juxtaposition of texts and images in which a dialectic between two different media is a means of stimulating the imagination of the viewer and reader. Influences on Blake are often hard to trace, though he explicitly cites and criticizes Milton and Swedenborg, as well as the contemporary artist Joshua Reynolds. Such influences, which might help explain Blake’s ideas, seem less important than the extraordinary inventiveness which one finds in his words and images and their production, which have analogies to earlier themes, but without offering the evidence that demonstrates direct dependence. Blake’s emphasis is on the importance of “inspiration” rather than “memory,” and as such he set great store on the creativity of the poetic genius and its reception by the engaged reader or viewer. The visual was primary for Blake. It was a major part of his attempt to produce that which is “not too explicit as the fittest for Instruction,” to allow the reader/viewer to work out what the meaning of words and images was and how one might inform the other. Much of his work is inspired by the Bible, though the heterodox approach he takes to biblical interpretation is frequently at odds with mainstream Christian opinion. Blake’s lifelong fascination with the work of John Milton led him both to challenge and refine his great predecessor’s views and, in Milton a Poem, to enable the departed spirit of Milton to discern the worst of his intellectually self-centered excesses. Blake’s interpretative method, his hermeneutic, is encapsulated in some words he wrote to a client who was perplexed by his work. In it he gave priority to imaginative engagement with the Bible which was only then complemented by rational reflection: “Why is the Bible more Entertaining & Instructive than any other book. Is it not because they are addressed to the Imagination which is Spiritual Sensation & but mediately to the Understanding or Reason?” (Letter to Trusler 1799, E702-3). His ongoing work and the complex idiosyncratic mythology that he invented reflect the changed circumstances of the reaction to the events in revolutionary France. Themes of the Blake corpus, such as prophecy, challenge the hegemony of authoritative texts like the Bible. His critique of dualism and monarchical view of God pervade his work.
Born in 1757, Blake lived most of his life in London with the exception of four, often difficult, years in Felpham, Sussex (1800–1804). He was married to Catherine Boucher (1762–1831), who in his later years was a collaborator in his engraving and printing. Arguably, the companionship of Job’s wife in the Illustrations of the Book of Job, so different from the impression one gets from the brief reference to Job’s wife in the biblical book, may reflect their marriage. The Felpham years were difficult because they marked a time of great personal upheaval, when the ideas which formed his long illuminated poems, Milton a Poem and Jerusalem: The Emanation of the Giant Albion, took shape. As a consequence of an incident with a soldier in Felpham, he was put on trial at this time for sedition, for comments he was alleged to have made to this English soldier. This experience seared his visionary imagination and left its trace in the repeated references to the soldier who brought the charge against him, Schofield, which are dotted throughout Blake’s Jerusalem. Blake was trained as an engraver and pioneered his own technique. This remained the basis of his art, and arguably offered a means that complemented his visionary imagination (Joseph Viscomi, Blake and the Idea of the Book, 1993). After his move back to London, he lived in obscurity and on the fringes of poverty, indebted to the support of patrons like Thomas Butts, for whom he painted many biblical scenes, and later John Linnell. Only in the last years of his life was he discovered by a group of artists. Toward the end of his life he was adopted as an artistic father figure by a group called “The Ancients,” which included George Richmond, Samuel Palmer, and Edward Calvert.
J. Blake Couey
The book of Isaiah is a compilation of prophetic poetry and narratives, named for an 8th-century
Isaiah is a sophisticated work of biblical Hebrew poetry, characterized by intricate combinations of imagery and wordplay. It features a high view of divine sovereignty, emphasizing Yhwh’s control over world nations and superiority over all human and divine powers; these ideas contributed to the emergence of monotheism in ancient Judah. The book also articulates diverse responses to imperial domination, even as it chronicles the ebb and flow of Judah’s own imperial aspirations. Striking portrayals of women and gender appear throughout Isaiah, including the extensive personification of Jerusalem as a woman and the comparison of Yhwh to a mother. Isaiah is also notable for its discourse about disability, which serves a variety of rhetorical functions in the book.
The impact of Isaiah was felt immediately, as evidenced by the number of copies of the book among the Dead Sea scrolls and citations of it in the New Testament. It greatly impacted the development of important religious ideas, including apocalypticism and belief in resurrection. In Christianity, Isaiah played an important role in reflection upon the nature of Jesus and the inclusion of Gentiles, even as it informed Christian anti-Judaism. The book has had a more complicated reception in Judaism, where it significantly influenced the growth of Zionism. Scholarly study of Isaiah continues to clarify the shape of its final form and history of composition. Current research on the book is increasingly interdisciplinary, engaging metaphor theory, disability studies, and postcolonial thought. The history of the book’s interpretation and reception is another area of growing interest.