The Latin American Christian worship service celebrated in most of Latin America until the beginning of the 19th century was Catholic, particularly the one that was prior to the Catholic Reformation or the Counter-Reformation. As of the 19th century, the Catholic worship lost its exclusiveness as a result of the incoming of immigrants and foreign missionaries. Among other worship services, there emerge those of the so-called ethnic Protestantism and of the mission endeavor. Latin American Protestantism was characterized as apologetic with regard to the relation with Roman Catholicism. Instigated by the goals of missionary work and the conversion of the Catholics, mission Protestantism tended to construct its worship identity as being “nonliturgical.” This identity can still be perceived in current times, especially in the Pentecostal and neo-Pentecostal churches. The roots of the liturgical identity of Latin American Protestantism will be presented in this text, culminating in the liturgical renewal movement of the second half of the 20th century.
John D. Rempel
Anabaptism and its descendant movement, Mennonitism, came into being through the illegal baptism of believers upon confession of faith. Anabaptist worship was characterized by form and freedom. It included reading and interpreting the Bible by preachers and other worshipers, practicing baptism, the Lord’s Supper, anointing, and other acts while allowing for immediate promptings by the Holy Spirit, as in 1 Corinthians 14. Routinized worship developed gradually by means of leaders internalizing important turns of phrase as well as writing prayers and publishing prayer books. Some streams of Mennonitism, like the Amish, have laid great stress on following the tradition that emerged. At the same time there arose renewal and missionary movements for whom Spirit-led improvisation was essential for true worship that was accessible to seekers. Beginning in the late 19th century, Mennonite churches arose in the Global South. For them the movement between form and freedom was essential to authentic worship. Singing is the central act of the congregation in all types of Mennonite worship. There is a lean sacramentalism in which the visible church is the body of Christ in history. In the practice of ordinances or sacraments, there has been great concern from the beginning that God’s acts of grace be received by the faith of the believer in order for such acts to be true to their intention. The Lord’s Supper emphasizes encountering both Christ and one’s sisters and brothers in a transformative way. Baptism is entering a covenant with Christ and the church. In addition, anointing, discipline, funerals, marriage and celibacy, parent and child dedication, and ordination are practiced.
Timothy M. Thibodeau
The liturgy of Western Christendom (c. 1000–1400) was the product of sweeping ecclesio-political and religious reforms that had a broad and lasting impact on the content and performance of the rites of the Latin Church in the later Middle Ages. Beginning with the reforms of monasticism at Cluny and culminating in the reformed papacy in the age of the Investiture Controversy, a sharp division between the clerical order and the laity was imposed on Christian society. This fostered a heightened sense of divine mystery in the liturgical rites (principally, the Mass) that could only be administered by properly ordained clergy, under the authority of the pope. The triumph of the clerical rule of Christendom coincided with more concrete expressions of the real presence of Christ in the eucharistic elements in both formal theology and liturgical practice. The Mass liturgy became the summit and quintessence of liturgical piety in this era, eclipsing other forms of liturgical service and becoming the focal point of sacramental theology. With the construction of monumental new churches in the Gothic style, from the 12th through 14th centuries, liturgical performance (including costly vessels and vestments) achieved levels of ostentation that caused some conflict between ascetically minded reformers (the Cistercians) and the proponents of lavish liturgical spaces (the Cluniacs). A thriving tradition of liturgical exposition or formal commentary on the divine offices worked in tandem with these dramatic architectural and artistic developments in the liturgical spaces of Europe. Despite the new scholastic methods of the universities, allegorical exegesis of the liturgy, following a tradition that began in the 8th century with Amalarius of Metz, continued to predominate in the lengthy treatises of expositors who worked in the peak period of scholastic theology, down to and including William Durandus of Mende (c. 1296). The performative aspects of the liturgy also witnessed major advances with the introduction of polyphonic chant, liturgical drama, and para-liturgical processions (such as the Feast of Corpus Christi).
Joseph W. Williams
Throughout the history of the British colonies and the United States, Americans from different religious traditions have performed a wide variety of religious rituals in public spaces and forums. Many of these public ceremonies stood in the long tradition of civil religion in the United States, which combined national symbols with nonsectarian references to God, the Bible, and the like, and helped to unify a religiously diverse American populace. In addition to such expressions of religious nationalism, many Americans have not hesitated to perform religious rituals in the public square that reflected much more particularistic religious commitments and identities.
A significant majority of these religious ceremonies in American public life demonstrated—even as they reinforced—the social and political dominance of Protestantism. Such was especially the case with the numerous revival meetings held in very public places that repeatedly attracted crowds by the thousands, and the seemingly ubiquitous Christmas and Easter celebrations in much of American society. At the same time, the ever-expanding religious diversity in the United States ensured a corresponding increase in the variety of religious performances that reached the wider public. Religious ceremonies in American public life functioned as important sites of religious cooperation, contestation, and protest; and served as key features of the various counterpublics that minority religious groups created as they challenged the status quo. The emergence of new mass communication technologies during the 20th century made it evermore difficult to draw sharp lines of distinction separating public and private expressions of religion. And despite the fact that an increasing number of Americans disaffiliated from established forms of religion after the turn of the 21st century, public expressions of religiosity showed few signs of abating. Religious Americans of all stripes continued to perform religious ceremonies in public spaces as a means to proselytize, agitate on behalf of specific causes, defend religious values that they perceived to be under threat, and raise awareness regarding the plight of marginalized groups.
Adam Bajan and Heidi A. Campbell
New and emerging media has played a pivotal role in Christianity throughout history. In early times, the Christian message was disseminated directly from Jesus and his followers to growing numbers of worshippers in the ancient world. This unmediated form of Christianity, while effective as a method of proselytization due to its immediacy and intimacy, was limited by how far its early disciples could travel to spread the Gospel of Christ. As communication technology developed through a series of paradigm shifts spread over several centuries of human sociocultural development, Christianity capitalized on these shifts in a variety of ways. This fostered significant structural changes to the religion due to steadily increasing levels of technologically rooted mediation over time.
In its most current form, Christianity is mediated through a variety of secular digital media with online capabilities. Media are utilized by increasing numbers of Christian churches throughout America due to their potential as platforms for efficient dissemination and ability to reach large numbers of worshippers with relative ease. As churches integrate secular digital media into their structures, a third space of interconnectivity emerges in which the boundaries between on and offline lived religious practice are bridged; blended; and at times, blurred, depending on the context and level of mediation. This third space that emerges is quantified as a digital religion in which Christianity becomes redefined as a cultural practice and site of collective and individual meaning making.
Adam M. Ware
Monuments, memorials, and museums mark America’s landscape and define both the purpose of spaces and the actors who inhabit them. From the earliest colonial encounters to the new age of mass trauma, memory and its cultural accretions have conferred meaning and denied agency at the intersections of economics, politics, culture, and religious habit. Inasmuch as battlefield memorial sites and statues to fallen soldiers generate community identity through demands for consensus memories and prescribed reactions, national memorials also reflect the diversity, contestedness, and political derivation of those consensuses and those memories. Memorials form physical sites for cultural rupture and ritual redress.
Memorialization ritualizes behaviors, standardizes emotional expressions, and regulates the terms on which Americans orient themselves relative to one another. Whether staging mock funerals for an English king or leaving flowers and notes at a site where forty-nine young people lost their lives, death forms a key experience responsible for memorial motivation, but celebrations of independence and victory also produce parades, festivals, and active memorial traditions. In the flows of past and present, life and death, preservation and change, and sanctity and secularism, memorial objects, processes, and behaviors mark and are marked by the historic developments in American religious and civil life.
Rodger M. Payne
Processional performances, including parading activities and the ritual procession of holy objects and images, have long been a part of religious practice. Informed by a cultural prejudice that viewed such public forms of religious display as outdated survivals from archaic religious traditions, early scholarly analysis focused on questions of origin rather than interpretation. Only recently have scholars from a variety of disciplinary perspectives—including religious studies, history, anthropology, and sociology—begun to examine such behaviors as expressions of “lived religion” rather than expressions of a “pagan” past. Only with the rise of the phenomenological method in the mid-twentieth century, best represented in the work of Mircea Eliade and his disciples and critics, did the question of the space in which such activities took place develop as a category for investigation and analysis. Eliade’s concept of “sacred” and “profane space,” while significantly criticized in recent decades, raised important concerns regarding the way in which religions created, recognized, and moved through space as a category of human meaning.
To Eliade’s contrast between the sacred and profane, recent scholars of American religion have added to their examination of space the oppositions of public and private, religious and secular, although understanding these terms (as well as sacred and profane) as dialectical rather than dichotomous. As public events that take place in religiously neutral space (the street), religious parades and processions raise questions about the phenomenological concept of the sacred center, or even the pilgrim’s goal of the “center out there,” because they represent a moving and ephemeral focus of sacred power. Participants may don special clothing, carry flags and banners, utilize sound (especially music), and transport sacred images and objects as they move from place to place. By visually, aurally, and spatially transgressing various boundaries, whether physical or symbolic, these ritual performances can “reterritorialize” social hierarchies and geographical identities. The “spatial turn” in religion combines insights drawn from cultural geography, the anthropology of space, and philosophical concepts in order to suggest new analytical and methodological approaches in the study of American religion generally, and religious parades and processions specifically.
The challenges and benefits of the Pacific Northwest’s rugged but scenic terrain have received ample treatment in studies of religiosity in this region. The interplay of place and spirituality was first chronicled in detailed case studies of Christian missions and missionaries, rural and urban immigrants, and histories of the various Native American tribal groups of the Northwest Coast and Inland Empire. Currently, the focus is on trends unique to this region, such as interdenominational and interfaith ecumenicity in environmental and social justice campaigns, earth-based spiritual activism and conservation, emergent “nature spirituality,” the rise of religious non-affiliation (the so-called religious “nones”), and indigenous revitalization movements. Recent interest in cultural geography has produced several general works seeking to define the Pacific Northwest aesthetic and regional ethos, especially as depicted in the so-called “Northwest Schools” in art, architecture, and literature. Because the Cascade Mountain range bisects the Pacific Northwest into two radically different climate zones, literature on spirituality in the region often follows this natural topography and limits its locative lens to either the coastal zone (including the area stretching from Seattle to Southern Oregon) or the Inland Empire (the more arid zone east of the mountains from Spokane to Eastern Oregon). When the Pacific Northwest region is referred to more broadly as “Cascadia,” it includes Washington, Oregon, Idaho, northernmost California and Canada’s British Columbia.
Broadly, visualization stands for a specific mode of imagination in which certain objects or concepts are “viewed as” or “viewed in light of” something else. In the religious context, something is “discovered” as the sacred in the process of visualization. In essence, what constitutes an object or image as sacred is the way this entity is encountered through visualization: it is this act that provides a surplus of value to the entity. When we visualize something, we activate multiple cognitive mechanisms and the added meaning is gained through metonymic and metaphoric structures. The new value of an entity or the discovery of new meaning is often a consequence of the blend of the existing inputs. Historically, ritualized visualization evolved in the Hindu context alongside the Vedic rituals and later became a central feature of everyday Hinduism. Tantric traditions in particular utilize visualization to gain greater access to the mechanism of the mind. Studying visualization thus not only reveals how an imaginative life meshes with reality in constituting the sacred, but it also demonstrates the power of imagination in transforming everyday reality.
Roger R. Jackson
Mahāmudrā, “the Great Seal,” is a Sanskrit term (Tibetan: phyag rgya chen po) that connotes a wide range of concepts and practices in Indian Mahāyāna and, especially, Tibetan Buddhism, most of them directly or indirectly related to discourse on ultimate reality and the way to know and achieve it. The term first appeared in Indian tantric texts of the 7th or 8th century