James B. Apple
The Abhisamayālaṃkāra (Ornament for clear realization) is an instructional treatise on the Prajñāpāramitā, or Perfect Wisdom, whose authorship is traditionally attributed to Maitreyanātha (c. 350
Michael H. Fisher
The history of the Mughal Empire (1526–1858) reveals much of the diversity among Muslims and the complexity of Islam as variously envisioned and as practiced in India. The empire’s ruling Timurid dynasty was patrilineally Sunni; many of its original core supporters were also Sunni immigrants or descendants of immigrants from Central Asia, especially Turks and Mongols. But Mughal emperors married women from families who were Shiʿites or who either converted to Islam in India or remained Hindus; similarly, the imperial army and administration also broadened its composition to include such families. Each individual emperor developed his own religious ideology, including Sunni, Sufistic, strongly influenced by Shiʿism, and eclectically drawing upon diverse Islamic and non-Islamic Indic traditions (i.e., Hindu devotional bhakti, Zoroastrianism, Jainism). Roughly a quarter of the Mughal dynasty’s subjects were Muslim, but these also followed an array of diverse Islamic ideologies and social and religious practices (many functioning much like “castes”). Conversely, many non-Muslim officials and subjects of the dynasty adapted its Persianate patterns of culture and belief. Over the 16th and 17th centuries, the Mughal dynasty conquered most of the Indian subcontinent (except the southern tip of the peninsula), but then its empire fragmented over the 18th and early 19th centuries. Evidence for the variety of Islamic expressions within the Mughal Empire comes from many types of sources. Imperial officials, accountants, and scribes compiled Persian-language records in detail, extent, and preservation that exceeded previous states in India. Emperors, courtiers, and authors whom they patronized created sophisticated works of history and literature that described events, rituals, and values, using Persian and also Sanskrit and regional Indian languages. Additionally, various types of material evidence have survived—including architecture, paintings, coins, weapons, and clothing—that display the dynasty’s religious expressions, values, and technologies. Muslim and Christian visitors from Central and Western Asia and Europe also wrote down their observations and assessments while traveling to the imperial court or through the Empire’s provinces. The relationships between Islamic beliefs and practices and the Mughal Empire that travelers, commentators, and historians noted and evaluated varied over time.
Buddhist reincarnations, stemming from the Tibetan term rJe btsun dam pa (“Holy Precious Master”) in the 17th century after fourteen previous rebirths in India and Tibet, appeared in Khalkha Mongolia. Their significance results from both religious and political activity. They became central to Khalkha Mongolian identity.
The First Khalkha Jebtsundampa (1635–1723)—in Tibetan Blo bzang bstan pa’i rgyal mtshan, in Mongolian Zanabazar and referred to as Ȯndür Gegen (“High Serenity”)—was the son of the Khalkha Tüśiyetü Khan Ġombodorji. As a child he was recognized as the reincarnation of Tāranātha Künga nyingpo (Kun dga’ snying po; 1575–1634), the great master of the Tibetan Jonangpa school. However, he was educated by the Gélukpa teachers, also in Tibet, and treated by this school as the reincarnation of yet another master, Jamyang chöjé (’Jam dbyangs chos rje; 1379–1449), an important Gélukpa teacher. His recognition was confirmed by the Fifth Dalai Lama and the Fourth Panchen Lama. Political plans of influential Tibetan clergy probably shaped this unusual situation. The position of the khan’s son, economic support given by his father, knowledge of Tibetan Buddhism, and his own charisma led Zanabazar to play a decisive role in disseminating Gélukpa Buddhist traditions in Khalkha Mongolia. He was also a gifted artist who cast in bronze superb religious sculptures. Due to political conflicts between Western and Eastern Mongols, the Khalkha lands were attacked by the Oirat Ġaldan Bośuġtu (1644–1697), and the Jebtsundamba fled to Southern (Inner) Mongolia. Khalkha Mongols and the Jebtsundamba allied with the Manchu Emperor Kangxi (r. 1662–1720). Upon Ġaldan Bośuġtu’s defeat and the Jebtsundamba’s return to his homeland, he was regarded as the main religious and political figure of the Khalkha Mongols. After the death of the second Jebtsundamba, who was engaged in anti-Manchu activity, in order to prevent merging of religion and secular power of the Mongols, Manchu authorities forbade searching for the Jebtsundamba incarnations in Mongolia. All subsequent seven incarnations were recognized among the Tibetans.
The importance of the Jebtsundampa incarnations as religious and political leaders of Khalkha Mongolia (otherwise called Northern Mongolia or Outer Mongolia) resulted in elevating the Eighth Jebtsundampa or Boġda Gegen (1871–1924) to the position of a hierocratic monarch, Boġda Khaġan, similarly to the Tibetan Dalai Lamas, when Mongolia gained independence in 1911. His rule was interrupted by the Chinese in 1919 and again in 1921 by the communists. After his death the communist authorities forbade searching for the next incarnation. Nevertheless, the Ninth Jebtsundamba (1933–2013) was found in Tibet and raised in a monastery. In 1959 he fled to India where he lived as a lay Tibetan refugee. With democratization in Mongolia his recognition as Jebtsundamba was reconfirmed by the Dalai Lama in 1991 with a task of preserving the religious legacy of the Jebtsundambas and the Jonangpa tradition. In 2011 he was enthroned as the head of Mongolian Buddhists. After his passing the process of searching for the tenth incarnation has begun.
Roger R. Jackson
Mahāmudrā, “the Great Seal,” is a Sanskrit term (Tibetan: phyag rgya chen po) that connotes a wide range of concepts and practices in Indian Mahāyāna and, especially, Tibetan Buddhism, most of them directly or indirectly related to discourse on ultimate reality and the way to know and achieve it. The term first appeared in Indian tantric texts of the 7th or 8th century
Matthew W. King
Mongol lands were bastions of Mahāyāna (Mon. yeke kölgen) and Vajrayāna (Mon. vačir kölgen) Buddhist life from the seventeenth to the early twentieth centuries, vast territories of the Buddhadharma deeply twinned with Tibetan traditions but always of local variation and distinct cultural content and purpose. Mongol contact with the Dharma reached its apex in the early decades of the 20th century, a flourishing of Buddhist knowledge, craft, and institutionalism that would soon face the blunt tool of brutal state violence. As the great Eurasian Empires came undone with tectonic force and consequence, Mongol lands along the frontiers of the Qing and Tsarist formations had the highest per capita rate of monastic ordination in the history of Buddhism (up to one in three adult men holding some monastic affiliation). Decades into the revolutionary aftermath of imperial collapse, at the interface of Republican China and Soviet Russia, Mongolian monastic complexes were hubs of cultural, economic, and intellectual life that continued to circulate and shape anew classical Indian and Tibetan fields of knowledge like medicine and astrology, esoteric and exoteric exegesis, material culture, and performance traditions between the Western Himalaya; the northern foothills of the British Raj; the Tibetan plateau; North China; Beijing; all Mongol regions; and Siberia, right to St. Petersburg. In addition to being dynamic centers of production, Mongolian Buddhist communities in the early 20th century provided zones of contact and routes of circulation for persons, ideas, objects, and patronage. Pilgrims, pupils, merchants, diplomats and patrons (and those that were all of these) moved from Mongol hubs such as Urga, Alashan, or Kökeqota to monastic colleges, markets, holy sites (and at this time, universities, parliaments, and People’s Congresses) in Lhasa, Beijing, Wutaishan, France, and St. Petersburg.
In the ruins of the Qing and Tsarist empires, to whatever uneven degree these had been felt in local administrative units, Buddhist frames of references, institutions, and technologies of self- and community formation were central in the reimagination of Mongol and Siberian communities. In the decades this article considers, such imperial-era communal and religious references were foundational to new rubrics associated first with the national subject and then the first experiments with state socialism in Asia. In many Mongol regions, Buddhism was at first considered “the very spirit” of revolutionary developments, as the Buryat progressive and pan-Mongolist Ts. Jamsrano once put it. By the late 1930s, however, the economic, social, and political capital of monks (especially monastic officials and khutuγtu “living buddhas”) and their monastic estates were at odds with new waves of socialist development rhetoric. Buddhist clerics and their networks (though not “Buddhism” as such) were tried en masse as counterrevolutionary elements. Able only to speak their crimes under interrogation and in court, monks fell to firing squads by the tens of thousands. All monastic institutions save three were razed to the steppe grasses and desert sands. Any continuity of public religiosity, other than minimal displays of state-sponsored propaganda, was discontinued until the democratic revolution of 1990. Mongol lands and its Buddhism was thus an early exemplar of a pattern that would repeat itself across socialist Asia in the 20th century. From China to Cambodia, Tibet to Vietnam and Korea, counter-imperial and colonial nationalist and socialist movements who were at first aligned with Buddhist institutions would later enact profound state violence against monastics and their sympathizers. Understanding Buddhism in early 20th century Mongolia is thus a key case study to thinking about the broad processes of nationalization, reform, violence, Europeanization, state violence, and globalization that has shaped Buddhism and Buddhists in much of Asia in the recent past.
During the Nara period (710–794), the Japanese religious and political landscape saw tremendous change. A new capital was built, Chinese legal codes were implemented, and the Buddhist temples grew in size and number. Traditionally, Nara period Buddhism has been described in terms of the so-called “Six Schools.” It is certainly the case that the 8th century became the cornerstone of later doctrinal and ritual developments, but the Buddhist context was more complex and intertwined than these six forms of Buddhism.
Jeremy R. Ricketts
At its founding, the United States did not have a long history nor an official state religion to draw from to construct a national identity, so Americans turned to the creation of sacred geographies built around nature and, as time passed, the founding myths of the republic. These natural and human-built sacred places now span the United States and correspond to a civil religion that appeals to tourists. The United States even has sacred documents like the Declaration of Independence that tourists view with reverence. Sacred tourist destinations are often overtly constructed and they imbue a nation with identity, elicit something akin to religious awe, and create a place wherein public rituals and modern pilgrimages are enacted. They also underscore the diverse nature of sacred tourism in America.
Religion and tourism both exist in space and use space to construct meaning. The motivations of those religious adherents who travel to sacred places are buttressed by an undercurrent of belief. Tourists, on the other hand, are not always believers, and they have diverse rationales for traveling to sacred places: some are on a quest for genuine spiritual engagement, others are seeking authenticity to offset the manufactured nature of modernity, and still others simply have an attraction to the cultural lore connected to a place. Tourists to religious sites thus arrive at a place that has been specifically designated sacred and therefore set apart, but while the place may be fixed geographically, its meanings commonly are not. Classifying a space brings it into existence as place, and this classification is regularly driven by the forces of commodification linked to tourism; it is also often contested between religious adherents and less spiritually inclined tourists and at times even within different tourist constituencies. Since human intervention is a precondition in any construction of place, sacred tourist destinations are based on mutually reinforcing relationships, and the tourists and pilgrims that seek sacred sites each play significant roles in creating, maintaining, or contesting a place’s identity.
“Religious-based tourism,” “tourism to sacred places,” and “religious or spiritual tourism” each carry different connotations. While religious and spiritual tourism indicate tours undertaken solely or mainly for faith-based reasons, “religious-based tourism” acknowledges that tourists are not homogenous; those tourists whose main aim is recreational can still be religious adherents, nonreligious tourists are still usually visiting a sacred place because of its purported numinous qualities, and those whose primary goal is religious can still evince behavior typically associated with tourism. “Tourism to sacred places” or “sacred tourism” allows the flexibility to include hallowed places that are either formally religious or not. Indeed, sites of secular pilgrimage continue to proliferate wherein “pilgrim” is used indistinguishably from “tourist” because of the mixture of secular and sacred at the site itself as well as the diverse motivations of the people who journey there. A spatial examination of tourism to sacred sites must thus consider the spatial dynamics of the motivations and actions of people within a commodified and contested place that draws tourists, pilgrims, and the many who are both.
Emperor Tri Songdétsen (Khri Srong lde brtsan; 742–c.800
The basic contours of Tri Songdétsen’s life and work may be gleaned from contemporary administrative records and from the king’s own inscribed pillar edicts and their accompanying paper documents. These describe how he was enthroned as a fourteen-year-old boy after his father was assassinated in the course of a revolt. They also give Tri Songdétsen’s reasons for officCially supporting Buddhism, and mention some of the opposition that he faced. As accounts of the concerted introduction of Buddhism to Tibet, Tri Songdétsen’s edicts constitute a clear forerunner to later Tibetan “histories of the Dharma” (chos ’byung) that would become a standard medium for Tibet’s Heilsgeschichte from the 11th century to the 21st. In this way, Tri Songdétsen also played a key role in the genesis of Tibet’s unique form of Buddhist historiography.
Ironically, the very historiographical traditions that Tri Songdétsen inaugurated in Tibet would in subsequent centuries come to express an ambivalent attitude toward the emperor’s central role in the establishment of Buddhism. Although he was lionized shortly after his death and in the century that followed, in Buddhist histories and hagiographies from the 12th century onward, Tri Songdétsen is eclipsed by the figure of the yogin Padmasambhava, who is credited as the real agent in the conversion of Tibet. Within this new narrative, the king is somewhat ineffectual in his commitment to Buddhism, such that his failure to follow Padmasambhava’s instructions eventually accounts for Padmasambhava’s departure from Tibet and for all sorts of future calamities that befall Tibet, its monarchy, and its people.
The subordination of Tri Songdétsen to Padmasambhava is part of a larger movement by which kings receded from Tibetans’ devotional emphasis and from their daily lives, and by which the figure of the lama ascended to cultural paramountcy. In particular, it reflects a shift in devotional emphasis across the 11th to 13th centuries from the cult of Emperor Songtsen Gampo (Srong rtsan sgam po; c. 605–649), who was viewed as an emanation of Tibet’s protector bodhisattva, Avalokiteśvara, to that of the yogin Padmasambhava, revered as an emanation of the Buddha Amitābha. Tri Songdétsen became a supporting player in Padmasambhava’s hagiography and cult, as one of his twenty-five disciples, and was also refigured as an emanation of the bodhisattva Mañjusrī. It is in this guise that Tri Songdétsen is remembered within Tibetan cultural memory and within Tibetan Buddhism more generally from the 12th century to the 21st.