Mysticism and Spirituality

The common core thesis contends that mystical experience is an ultimate non-sensuous experience of unity of all things. It can be identified within major faith traditions, whether explicitly religious or not. Its roots are in the work of William James who explored mystical experience outside the limits imposed by what he perceived as only a provisional natural science assumption of the newly emerging discipline of empirical psychology. Following the explicit phenomenological work of Walter Stace, the phenomenology of a universal core to mystical experience has been operationalized and an explicit psychometric measure developed to allow empirical assessment of the claim to a common core to mysticism. It is the linkage of psychometric approaches to the work of James and Stace that is now known explicitly as the common core thesis. The common core thesis needs to be delineated from the perennialist thesis popularized by Aldous Huxley in which there is postulated not only a common core experience, but also values and practices claimed to be associated with this experience if not directly derived from it. Psychometric and empirical evidence for the common core thesis is substantial and continues to accumulate. The common core thesis is restricted to mystical experience and assumes that this experience seeks to express itself in various faith traditions, whether religious or not, but is not restricted to or defined adequately by the culture or language with which this experience is interpreted. Unlike the perennialist thesis, the common core thesis does not assume that any common theology, philosophy, or practice necessarily follows from mystical experience.

The comparative study of mysticism began in the mid-19th century, with the development of the modern meaning of the word, which had begun to be used as a substantive, with the classification of “mystics” in the 17th century. This differed from the traditional Greek Christian use of the adjective mystikos, to qualify rituals, scriptures, sacraments, and theology as “mystical” contexts of the human encounter with the Divine. This modern shift highlighted the personal experience of ultimate Reality, rather than the sociocultural context. Certain individuals claimed to encounter the Divine or spiritual realities more directly, separate from traditional mediums of religious experience. The study of this phenomenon tended in the early 20th century to focus on the psychology and the phenomenology of the personal experience, generally described as an altered state of consciousness with specific characteristics, processes, stages, effects, and stimulants. This emphasis on common features influenced the development of perennialist and traditionalist theorists, who saw evidence of the same experiential origin, fundamental principles, or epistemology among major world religions. Some essentialist views of mysticism argued that a pure consciousness-experience of undifferentiated unity or non-duality is the core feature of all mysticism, in contrast to other religious experiences. Reaction to these positions led to contextualist or constructivist views of mysticism, which presume the sociocultural character of mysticism. In its most extreme form, the contextualist perspective suggests that all mystical experiences among traditions are different, given diverse socio-religious categories that overdetermine the experience. In turn, some critical scholarship has proposed qualifications to contextualism within the context of a general acceptance of many of its tenets, even among many theorists with essentialist tendencies.

Up to the late 20th century, much scholarship in the area tended to downplay the sociocultural features of mysticism, emphasizing the psychological dynamics and an individual, disembodied, and radically transcendent ideal. This brought into question the relationship of morality to mystical experience and raised concerns about the status of entheogens—the use of psychoactive drugs in religious contexts. Interest in the comparative study of mysticism has also extended into the area of neuroscience, where researchers explore electro-chemical brain states associated with mystical experience, in proposing evidence of a mystical neurological substrate. But the essentialist/contextualist debate also moved the comparative study of mysticism beyond issues of epistemology, consciousness-states, ontology, and cognitive neuroscience, broadening the field to include other aspects of religious experience. Some studies have brought feminist concerns to bear on the discussion, insofar as women’s mysticism has been overshadowed and even repressed by men, and was seen to preclude legitimate experiential possibilities of a more embodied character. Related scholarship in history and depth psychology has focused creatively on the nature and significance of erotic elements of mysticism in comparative studies, with special attention to associated physical phenomena and their transformative dynamics. Similarly, more embodied features of comparative mysticism are the subject of transpersonal psychology, which draws on many humanistic disciplines and supports participatory approaches to the field. Transpersonal psychology remains open to claims that the ego can be transcended in movements into higher states of being that ideally involve personal/spiritual enhancement and integration. Also, some more recent proponents of new comparative theology advocate methods that engage the scholar in specific beliefs or practices of another tradition, and include subsequent clarification and elaboration of one’s own perspective in light of such comparative study, in exploring phenomena related to comparative mystical experience.

Paganism is based largely in an Enlightenment-era rejection of Christianity and Romantic-era ideas of the individual experience, emotion, and creativity, combined with a search for true ethnic culture in the lore and practices of the pre-Christian past and a rejection of universal transcendental religion, in favor of the local, the particular, the polytheistic, and the animist. Particularly in the United States, Pagans have challenged governmental accommodations for existing religions by demanding equal status in public spaces. Contemporary Pagan groups began forming in the 1930s, but the largest, Wicca, emerged in the United Kingdom in the early 1950s.

Erotic representations of the divine occupy a pivotal place in religious myths, poetry, liturgy, and theology. Reading eros as a category of religious love highlights its ubiquitous presence in sacred literary sources; moreover, it renders the nexus of erotic love and the divine critical to comprehending religiosity as an immanent and embodied phenomenon, rather than as an abstract idea. As an embodied phenomenon, religious love is subject to an investigation of topics such as gender and sexuality, and its multiple cultural meanings and contexts. Western philosophers such as Plato, Aristotle, (Pseudo-)Dionysius, and the Neoplatonist renaissance thinker Leone Ebreo, delineate a hierarchy or a “ladder of love” differentiating lesser and higher subjects and objects of love from love of the particular, to the universal, cosmic, and divine. An interrelated distinction is ascertained between “desire” as a state of lack often seen as a lower state, and “love” as the higher state, in which fulfillment and joy of the union with the object of one’s love is achieved. Love and desire as marked yet interrelated emotions are contextualized in religious phenomena cross-culturally, most obviously in theistic frameworks in which a personal and intimate relationship with the divine is an ideal. Poetry and autobiography are the most common genre of depicting the intimate and passionate encounter of human and divine. Despite the prominence of male voices in the sources, the contributions of medieval Christian and Muslim women mystics to this literature are significant. Key base-texts from which mystics and philosophers are inspired and draw upon to elucidate their own personal experience of yearning for the divine, include the biblical Song of Songs, Bhagavata Purana (Book 10), and the Gitagovinda. Although the yearning for the divine, associated with an emotional, embodied state and therefore seen as problematic from a rational perspective, this yearning is also a cherished state, even for rationalists such as the medieval Jewish thinker Moses Maimonides. The significance of erotic love for the divine is confirmed, not only by Sufi and Hindu bhakti poets such as Rumi and Jayadeva, but also by philosophers such as Ibn Arabi and Rupa-Goswami. The idiom of erotic desire and love for God is particularly poignant and integral not only in poetry but also in theology, as exemplified in Hindu bhakti and Christian theology. Exploring the meanings of erotic love in religious poetry, theology, liturgy, and the history of religion more broadly offers a rich scholarly and personal medium for contemplating the reality of human and divine nature.

Mahāmudrā, “the Great Seal,” is a Sanskrit term (Tibetan: phyag rgya chen po) that connotes a wide range of concepts and practices in Indian Mahāyāna and, especially, Tibetan Buddhism, most of them directly or indirectly related to discourse on ultimate reality and the way to know and achieve it. The term first appeared in Indian tantric texts of the 7th or 8th century ce and gained increasing prominence in the final period of Buddhism’s efflorescence on the subcontinent, particularly in the sometimes transgressive Mahāyoga and Yoginī tantras and the works of such charismatic great adepts (mahāsiddhas) as Saraha, Tilopa, and Maitrīpa. By the 11th century, Mahāmudrā had come to refer, in India, to a hand gesture signifying clear visualization of a deity, one of a number of “seals” (with or without hand gestures) that confirm tantric ritual procedures, a consort employed in sexual yoga practices, a meditation technique in which the mind contemplates its own nature, the great bliss and luminous gnosis that result from advanced subtle-body practices, a way of living in the world freely and spontaneously, and the omniscient buddhahood that is the final outcome of the tantric path. It also came to be synonymous with such concepts as emptiness, the middle way, sameness, the co-emergent, the natural mind, luminosity, the single taste, non-duality, meditative “inattention,” buddha nature, non-abiding nirvāṇa, and a buddha’s Dharma Body—to name just a few. Although little discussed during the period of Buddhism’s introduction to Tibet (c. 650–850), Mahāmudrā came to the fore on the plateau during the so-called Tibetan Renaissance (c. 950–1350), finding a place of greater or lesser prominence in the ideas and practices of the religious orders that formed at that time, including the Kadam, Sakya, Shijé, Shangpa Kagyü, and—most notably—the powerful and influential Marpa Kagyü, for which it is a pivotal term, referring to the true nature of the mind, a style of meditation aimed at the realization of that nature, and the perfect buddhahood resulting from that realization. Although it has all these meanings and more, Mahāmudrā became best known as a contemplative technique in which the mind realizes, and settles within, its own true nature: as empty and luminous. It was brought to the center of Kagyü religious life by Gampopa (1079–1153), and studied, practiced, and systematized by generations of great Kagyü scholars and meditators. In later times, it sometimes inspired syncretic formulations, which combined the practices of Kagyü Mahāmudrā with those of the Nyingma Great Perfection (Dzokchen), or the Gelukpa analysis of the emptiness of all existents. Over the course of a millennium or more in Tibet, the Great Seal informed ritual, prompted ecstatic poetry, provoked debate, became the focus of yogic retreats, and was used as a lens through which Indian Buddhist thought and Tibetan institutional history might be viewed. With the post-1959 Tibetan disapora and the subsequent spread of Tibetan Buddhism outside Asia, Mahāmudrā has become a topic of interest for scholars and practitioners in many and varied settings, and a part of the vocabulary of educated Buddhists everywhere.

Religious moderation is hardly the first thing that comes to mind when considering the history of the United States. Would one have spoken of the Puritans as moderates? Could one characterize the many great revivals and awakenings that coursed through colonial and early republican American in such terms? And what about the impertinence of Anne Hutchison, the audacity of Jarena Lee, the bold experiment of Prohibition, or the modern political fervor that accompanied the rise of the religious right? When compared to England and many other nominally Christian European nations, the United States generally figures as an example of religious zeal. Yet moderation holds a special place in American religious thought, and not just recently. Since the Protestant Reformation, at least, the concept of religious moderation has been inescapably entangled with concerns about the form and shape of government. Just how much religious “enthusiasm” is safe for a monarchy, a democracy, or a republic? wondered English political theorists in the 1600s and 1700s. Their concerns unavoidably carried to the “New World,” contributing to the persecution or marginalization of Quakers, Shakers, and other religious practitioners deemed too immoderate in their passions and, not infrequently, their gendered practices and sexualities. With the birth of the new republic, Americans also raised questions about the political valences of religious moderation when debating which residents of the nation could fully enjoy the rights of citizenship. Appeals to moderation were used for centuries to exclude not only religious minorities but also racial and ethnic minorities and women. And yet the contours of moderation were continually contested by both those who wielded power and those subject to it.

Since the late 1800s, questions of religious moderation have also been intertwined with questions of modernity and the reconfiguration of public and private spaces. This was especially true with the rise of the fundamentalist movement in the early 1900s, a movement that opposed some of the modernist interpretive measures gaining currency among many American Christians, as well as the idea (increasingly popular over the course of the 20th century—particularly after the failure of Prohibition) that most forms of religion properly belong to the private realm. While fundamentalists were no less technologically savvy or educated than their theological opponents, their positions were nevertheless cast as anti-modern and immoderate, in that fundamentalists ostensibly held more closely to revelation than to modern science. This notion of fundamentalism as the incursion of immoderate anti-modernism, traditionalism, or enthusiasm into politics and public life has continued into the 21st century. While 21st-century arguments for religious moderation are most often directed at Muslims (who, in addition to conservative Christians, are frequently depicted as prone to trampling on the rights of those with whom they disagree), American history has no shortage of incidents involving pressures, often violent, on racial and religious minorities to moderate or privatize their ostensibly uncivilized behavior for the sake of the nation or even for humanity.

Martin Luther’s spiritual and theological development was deeply rooted in mystical traditions. During his early years as an Augustinian friar, he experienced mystical visions following the paths of Dionysian mysticism, while a few years later he was inspired by Ps-Bonaventure, Bernard of Clairvaux, and John Tauler. His early theology of penitence, as expressed in the Ninety-five Theses, derived from these sources, as did his description of justification in the image of bride and bridegroom in his tract On the Liberty of a Christian. Even more so, central elements in his theology were shaped by mystical influences, including his distinction between Law and Gospel, the doctrine of justification, and the concept of the priesthood of all believers. Thus, Luther’s theology should be seen as a reception and development deriving from the mystical discourse of the later Middle Ages.