Religion in America

The first Muslims arrived in the American colonies and later in the United States as African slaves. Although a few and noteworthy Muslim American slaves left written records of their lives, Islam was largely extinguished by the white slave owners. Sectarian and racial forms of Islam were introduced into the United States, particularly within urban African American communities, by Ahmadiyya missionaries and the Moorish Science Temple. The rise of the Nation of Islam under Wali Fard Muhammad and Elijah Muhammad and its bifurcation under the latter’s son, Warith Deen Mohammed, and Louis Farrakhan deserve special attention, as do the initial appeal of the Nation of Islam’s racial formulation of Islam and, decades later, the willingness of most of its members to move to Sunni orthodoxy after Elijah Muhammad’s death. The second major, though not entirely separate, strand of Islam in the United States, though often interacting or competing with the first, comes from Muslim immigrants. This group brings unique issues, such as living in a largely Christian society, competing with the Nation of Islam, refuting stereotypes in the media and popular culture, finding a political voice, and coping with post-9/11 Islamophobia, all leading to the consideration of the prospects for a uniquely “American Islam” that reflects U.S. pluralism and (supposed) separation of “church and state.”

Beginning with trans-Atlantic slavery, which forced hundreds of thousands of people into what is presently the United States, religion among African Americans consistently featured a complex of efforts toward innovation, preservation, and agential intervention rooted in efforts toward survival against structures of racial domination. Social factors including slavery, black responses to a range of political conflicts, influences of immigration, and the varieties of genealogies that have constituted religious formations among African Americans contributed to the creation of formal Christian denominations, intentional communities of Orisha, and transnational movements of Islam. Also important are the insurgent challenges that African Americans have proffered as a rejoinder to social oppression. But this progressive tendency has been paralleled by sharply conservative religious formations that check any easy generalization of African American religions as being predisposed toward social justice movements. Also important are social sources of autonomous church formation, the role of Black Nationalism, anticolonial forms of religion, and Yoruba revivalism of the mid-20th century.

Heaven and hell have survived in the United States beyond scientific critiques of the supernatural. For many Americans, the promise of eternal rewards and the threat of everlasting punishments shaped how they lived their lives in the here-and-now, and how they interacted with others. Oppressed groups used the afterlife to turn the tables on their oppressors, while others used the threat of the afterlife to try to keep people in line.

The afterlife, after all, was never just after life. Heaven, hell, and their inhabitants could impinge on this life. Time and again, Americans have labeled various places or situations as hells on earth, from America itself (in the eyes of European colonizers), to the slaveholding South, to the battlefields of the Civil War, to the inner city. Reformers have sought to bring heaven to earth, even while hoping for heaven in the life to come.

Meanwhile, discomfort with predestinarian teachings on salvation and damnation led to theological innovations and revisions of traditional Christian teachings on hell. Over time, the stark hell and theocentric heaven of the early colonists waned in many pulpits, with the symbols and figures of the afterlife migrating to fill the pages and TV screens of American popular culture productions. That said, the driving threat of hell remains significant in conservative American Christianity as a political tool in the early 21st century, just as in times past.

Alternative religious movements have played a significant role in American history. There is no easy definition for these types of groups; their ideas and practices vary. One clear commonality, though, is their development on the sociocultural margins. Thus, inherent in alternative religious movements is a critique of dominant culture, and this offers a powerful means of engaging issues of race in America. Other groups, however, choose to echo prevailing racial ideas as a means of making themselves mainstream. The typical narrative of American religious history is white and Protestant, and alternative religious movements have provided both criticism and approval of that story.

While a close look at every alternative religious movement would be impossible, even an abbreviated exploration is revealing. During the antebellum period the question of slavery and the white supremacy that supported it prompted alternative religious movements to ask questions about equality. While many Shakers and Spiritualists recognized value in all, other groups, like the Mormons, encoded contemporary racial assumptions in their early theology. Throughout the 19th and into the 20th century, African Americans and Native Americans criticized white supremacy by offering alternative explanations of humanity’s history and destiny. The 1890s Ghost Dance movement envisioned an Indian paradise devoid of whites, and in the early 20th century black alternative movements in northern cities emphasized the religious significance of their blackness. Though these groups criticized the white supremacy surrounding them, others continued to emphasize the superiority of whiteness. In the latter part of the 20th century, many Americans associated racialized alternative religious movements, such as the Nation of Islam, the International Society of Krishna Consciousness, and the Peoples Temple, with fear or brainwashing. In examining how alternative religious movements engage racial assumptions, articulate racial discourse, or create religio-racial identities, a study of these movements illuminates the interplay between religion and culture in American history.

Apocalypticism has had a powerful impact on American life. It has fostered among adherents a strong sense of purpose and personal identity, it has helped them interpret the challenges they face all around them, and it has provided them with a triumphant vision of the future. Although there are many kinds of apocalypticism, in the United States, Christian forms have dominated. The Bible’s focus on a coming millennium has offered Americans the promise of transformation and redemption in a world that sometimes seems void of both. When Christians have emphasized the Bible’s apocalyptic and millennial visions, they have acted in new and important ways. Apocalyptic visions, rather than fostering a sense of indifference to the coming of the end of days, have served as a call to battle. God, millennialists insist, has given them much to do and very little time in which to do it. Positive that Jesus is coming soon, they have preached revival and engaged directly and aggressively with their culture. Sometimes their actions have served to reinforce the status quo, and at other times they have sparked revolutions. The uses of apocalypticism and millennialism are almost as diverse as their adherents.

Fundamentalism has a very specific meaning in the history of American Christianity, as the name taken by a coalition of mostly white, mostly northern Protestants who, in the late 19th and early 20th centuries, united in opposition to theological liberalism. Though the movement lost the public spotlight after the 1920s, it remained robust, building a network of separate churches, denominations, and schools that would become instrumental in the resurgence of conservative evangelicalism after the 1960s. In a larger sense, fundamentalism is a form of militant opposition to the modern world, used by some scholars to identify morally absolutist religious and political movements in Islam, Judaism, Christianity, and even Hinduism and Buddhism. While the core concerns of the movement that emerged within American Protestantism—defending the authority of the Bible and both separating from and saving their sinful world—do not entirely mesh with this analytical framework, they do reflect the broad and complex challenge posed by modernity to people of faith.

American propaganda cast the Cold War as one of history’s great religious wars, between the godless and the God-fearing, between good and evil. It was a simplistic depiction that was supported and promoted in the highest echelons of government and by the leaders of America’s key institutions. During the course of the presidencies of Harry S. Truman and Dwight Eisenhower, U.S.-Soviet rivalry was transformed from a traditional great power struggle into a morality play that drew on firmly entrenched notions rooted in the American past, above all American exceptionalism and its sense of mission. Truman made religion America’s ideological justification for abandoning America’s wartime cooperation with the Soviet Union. Eisenhower used religion to persuade the world that America was a force for good in the international arena. The resulting anti-communist crusade was to have profound consequences for Christian America, contributing to both religious revival and religious repression in the early Cold War period. Over time it caused irrevocable alterations to America’s religious landscape. The anti-communist dynamic unleashed embraced anti-liberalism and was a factor in the rise of the Christian Right and the decline in America’s mainstream churches. In addition, the image of a godless and evil enemy dictated an irreconcilable conflict that precluded the very modes of diplomacy and discourse that might have helped avoid the worst excesses, costs, and consequences of the Cold War.

Emotion is an important part of religions in America. There is great diversity among emotional styles. Some groups are highly emotional, others relatively low in emotional expression, and some occupy a middle ground. Religious life is characterized by cultivation and expression of many emotions. Four that are of particular importance for Americans are wonder, empathy, anticipation, and the feeling of emptiness. Some emotions are treated as commodities. The study of emotion in religion enables fresh perspectives on the interwovenness of emotion, religion, and culture. The investigation of the emotional lives of religious persons in America can be advanced through study of persons’ reporting of their experiences alongside research bearing on cultural expectations for emotional life.

As part of a broader turn in humanities scholarship toward emotion since the late 20th century, scholars of religion increasingly have explored how emotion has been a key component in the lives of religious Americans. The relation of emotion to religious ideas has been particularly important in this nascent scholarship. In exploring how emotions and religious ideas are intertwined, scholars have focused on emotions such as love, melancholy, fear, and anger, among others. However, for reasons having to do with the historiography of American religion, as well as with categories that have governed much academic study of religion in America, the feeling of emptiness, which is so crucial to understanding Buddhism, and other Asian religions, has been underestimated for its role in American religions. In America, the feeling of emptiness plays a central role in religious practice, community formation, and identity construction, among Christians (the religious majority) but also in other religious communities. This essay describes some of the ways in which the feeling of emptiness has been expressed in American religions, and in American culture more generally, comments on how it has been joined to certain ideas at various times, and suggests how it has played a central role in shaping relations between religious groups in a society where religion is disestablished. The approach here is eclectic, blending historical narrative with cultural analysis, and the essay proceeds thematically rather than chronologically. Focusing on the feeling of emptiness allows a fresh perspective on religious practice in America, prompts new questions about belief and community, and enables new lines of interpretation for the development of religious ideas in America. Christians, Buddhists, Jews, and other religious communities in America have distinct ways in which they interpret the feeling of emptiness as a spiritual phenomenon. Religious persons often conceptualize it as an emotional experience of great value. Among Christians, it is important as a sign of an emptying of the self of immorality, distractions, and worldly clutter in preparation for being filled with the grace of God. Accordingly, Christians and others in America have developed spiritual disciplines aimed at cultivating the feeling of emptiness and advancing it to a point where deep longing becomes deep fulfillment. Religious practices involving the body include fasting, which is emptying the body of food, and tears, which empty the body of fluids. Bloodletting is also a notable practice, and, for those who do not cut or otherwise make bloody sacrifice (including war and lynching), bloodletting nevertheless is revered as a model discipline of emptying. There are aspects of sexual practices and the performance of work that also are exercises in self-emptying. All such disciplines are expected to prompt and enrich the feeling of emptiness. The severe fast, the deep feeling of emptiness, the desperate longing, the distancing from God becomes, paradoxically, a drawing closer to God. From the earliest settlement of North America, white Europeans and their descendants constructed the emptiness of the land to match the emptiness of their souls. Americans claimed to feel space. They expressed the spiritual feeling of emptiness in ideas about North America as a barren desert, crying to be filled by colonists and their descendants. The Great American Desert, a fiction created in the early 19th century, was one way in which Americans continued to imagine space as empty and themselves, as God’s exceptional nation, as the agents of fullness. American fascination with millennialism was a valorization of the fullness of eternity over the emptiness of history. Millennial movements and communities in America felt time as they did space, and when American Christians felt historical time they felt its emptiness. Americans have constructed elaborate and richly detailed depictions of the end as they look forward to a time when empty time will become eternity, fullness. Christian groups in America, populated by persons who cultivate emptiness, have defined themselves largely by saying what they are not. Both persons and communities, invested in the feeling of emptiness, mark personal and collective boundaries not by projecting into the social world a pristine essence of doctrine so much as by pushing off from other groups. Committed to emptiness, there is little to project, so the construction of identity takes place as an identification of Others. Such a process sometimes leads to the demonization of others and the production of identity through the inventorying of enemies.

This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Religion. Please check back later for the full article.

American Freemasonry is as much a geographical as a sacred practice. Emerging from arcane Enlightenment origins, masonic theology and practice brims with a spatiality representative of masonry’s compulsion to make men moral. Moral masculinity reflects in Freemasonry’s “sacred geography,” masonic space fixed with symbols vital to the moral, social, and arguably spiritual growth of potential and actual Freemasons. Masonic spatiality links to Freemasonry’s central myth: the erection of King Solomon’s temple. Interpreting the Old Testament sanctuary as a stone artifact (for which no archeological evidence exists) furnished Freemasonry with a) its foundation narrative and architectural imaginary; b) the intrigue for the death-and-resurrection ritual capping the Master Mason rite, the last of masonry’s three core rituals; c) the sacred meanings and purposes of the lodge; and crucially, d) its rite-inspired spatiality, in which elements of the temple, its divinity, and construction achieve prominence.

Masonic geography ironically includes a penchant—albeit waning—for racial and sexual apartheid, a social segregation originating in early modern American misapprehensions of biology, anthropology, and gender. Accordingly, “black” masons attend separate lodges. Prince Hall Freemasonry has existed since the late 18th century and is named for its eponymous founder, although “blacks” join “white” lodges today. Women masons or “matrons” are initiated in an appendant Christian rite. A 19th-century phenomenon, the Order of the Eastern Star, was developed for evangelical Protestant women-followers of Jesus, intentionally to distract them from the unconcealed deism of the men’s rituals in a milieu of Christian antimasonry.

The locus of Freemasonry was (and is) the lodge, which denotes both the building space and its occupants. In lodges, masons conducted the busy-work of admitting multitudes of late-Victorian, Edwardian, and interwar American males into the mysteries of “Blue Lodge” or “Craft” Freemasonry. It was likely because of the intensive initiation-toil in Craft lodges that masons over time sacralized the lodge and its teleological attributes; masons insist Freemasonry is not a religion. They routinely embedded sacred geography in buildings as stylish as Georgian, Victorian, and Edwardian “temples,” or as prosaic as frame, brick, or block ex-urban and suburban halls. Still humbler lodges could be found in simple multi-use back rooms or above street-level shops.

Importantly, this historical spatiality evokes Victorian faith in moral environmentalism: the impulse to effect virtuous and civil behavior through orderly manipulations of environment. Indeed, the dedicated employment in the lodge of masonic furniture and furnishings loosely mimics the Victorian middle-class parlor’s preoccupation with order, design, and moral aesthetics. Masons call this ritual—and allegorical—décor the lodge’s form, support, covering, furniture, ornaments, lights, and jewels. These include, among others, the letter G (God), the compass and square, a draped altar, a bible, candlesticks, blocks of dressed and undressed limestone, Greek columns—usually Doric, Ionic, or Corinthian—and a mosaic of checkered floor tiles. Each instance of this arguably religious space in the lodge signifies to a degree a rite’s moral masculine transformation of masonic candidate and mason alike. In this way, the lodge becomes a “sacred retreat” for masons who dwell outside its precincts.