The ancient Egyptians were surrounded by various manifestations of their many gods. Though their gods usually lived in heaven or in the netherworlds, they were permanently represented on earth by monuments, statues, symbols, animals, and plants, as well as by social concepts. The Egyptians described their gods by various names and images, always aware that in the end their true personalities and characters remained elusive.
The ancient Egyptian universe comprised heaven, earth, and netherworld, all part of creation and surrounded by eternal darkness. Though separate areas, they were permeable for the gods and the dead. The universe ran smoothly as long as there was respect and cooperation between them and the living. This formed an ideological, social, and economic cohesion.
The gods were powerful but benevolent, and approachable in many ways. The divine king was the hub between the world of the gods and the human sphere. He was the main entity responsible for organizing the supply and welfare of the humans, and for keeping order. During official festivals, the living, the gods, and the dead celebrated together, but there were also a number of more personal ways to approach deities. The various sites of interaction between gods and men formed a vast network connecting all the players: the gods were responsible for creation and abundance, the kings and elites were primarily responsible for ensuring that the system ran according to Maat (“Order”), and the people were responsible for living and working throughout the country.
The system of ancient Egyptian gods structured Egyptian ideas, policies, and everyday life from the end of the 4th millennium
Kathryn A. Edwards
In the 15th- and early-16th-century German-speaking lands, reports circulated of spirits shaking the walls of houses, comets presaging imminent doom, and dwarves warning miners to leave their tunnels. Widely accepted, such accounts point to a worldview in which the natural was believed to encompass a far broader swath of beings and activities than modern definitions of the term. Humans were enmeshed in a world where forces beyond human experience and, at times understanding, were active; they accepted their place in it and manipulated it, if necessary.
When studying such attitudes and the practices surrounding them, scholars of late medieval and early modern religious movements must move beyond truisms about “magical” or “enchanted” worlds to understand the impulses driving both reformers and those they wished to reform. Certainly 15th- and 16th-century Germans accepted that the divine permeated all creation, as creation was a product of God, and they saw divine manifestations throughout their world. Based on this truism, scholars have debated the extent to which pre-modern Europe was an enchanted world for approximately a century. Yet the powers imbuing that world had a more complex relationship to divinity than the somewhat romantic connotations of “enchanted” found in various modern works. Magicians, witches, devils, and other entities were all created beings who could access powers beyond the normal ken but were certainly not divine, despite any claims they might make to the contrary. Because such powers were imbued into nature itself, they were accessible to ordinary humans as well. And access them humans did! They were invoked to protect a village, cure ill children, and ward off injuries to livestock. They could also be used for evil, and archival and print documents attest to the practice of maleficent or demonic magic by learned clergy and illiterate peasants alike. When Protestant reformers demanded recognition of God’s omnipotence, they implicitly condemned this applied, occult magic and, in the process, practices that reflected a complete cosmology, that is, an understanding of how this world and the heavens operated. In this circumstance, it is not surprising that even the early reformers themselves could seem reluctant to abandon this immanent occultism.
Concepts of religion and humanity form an integral component of Mesopotamian narrative literature, and these ideas are evidenced in the frequent exploration of themes involving mortality and immortality, power and authority, and creation and destruction. Through the use of plot, characterization, literary themes and techniques, and also structure, Mesopotamian myths and epics transmit religious ideas and beliefs, as well as informing on cultural identity and meaning. In both oral and written transmission, storytelling is a powerful medium for exploring ancient theology.
Religious ideas are expressed in a wide array of Mesopotamian literary works, and while some features, such as the polytheistic view of the divine hierarchy, remain generally constant, different texts and “genres” show changes in focus and in the perception of the divine and the human. While deities and supernatural creatures have a prominent role in literature, Mesopotamian myth is not only concerned with theistic matters, but also with what it means to be human.
It is often observed in modern scholarly works that humans, in the Babylonian Flood narrative of Atrahasis, and the creation myth of Enuma Elish, were born to serve the gods and perform their menial tasks. This is undoubtedly an important observation for the analysis of humanity and religion, yet the presentation of human/divine relations as one of simple subjection gives a misleading and superficial impression of the interaction between the mortal and divine spheres, one that is at odds with the subject’s complexity, variety, and subtlety.
Myths and epics provide a multifaceted picture of a number of different types of relationships between gods and humans: even in the narrative of Atrahasis, individual deities interact with humans in different ways; there is no “one size fits all” divine connection in Mesopotamian literature. Despite a rigid hierarchy in favor of the divine, these relationships are frequently close, involving strong emotional bonds. The human/divine connection is not solely beneficial to either party, but reciprocal and often mutually rewarding. At the same time, the relations between humans and deities can be destructive and damaging—with the harm most often depicted to occur on the human side, possibly because of the vulnerability offered by mortality and the lack of supernatural abilities. Humanity is reflected in the anthropomorphic representations of deities and also the sociomorphism of their family-oriented community structure. For heroes of epic literature, the divine connection can be perilous, but also rewarding. The success of heroes in accessing divine support is frequently (but not exclusively) linked to the morality of their actions.
Religion and humanity in literature concern not only deities’ interactions with humans, but also how the authors of literature conceptualized and gave meaning to the human condition. It is clear from Mesopotamian literature that close, positive relationships with the divine were important for survival and success during the human lifespan (and even beyond), yet at the same time, the answer to questions of finding meaning in mortal existence is at times presented in very human terms. Love, alongside shared human achievements and experiences, is presented in several literary sources as essential for giving meaning to the human condition.